John Mackey Trombone Concerto

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John Mackey for trombone with orchestral winds, brass, and percussion ” Harvest: Concerto for Trombone” is based on the myths and mystery rituals of the . John Mackey (b. ) once famously compared the band and the orchestra to the kind of person a composer might be attracted to at a party. Mackey: Harvest – Concerto for Trombone – EP Joseph Alessi, The West John Mackey’s music is some of the most alive and spirited music I’ve ever heard.

The first inkling of an idea to write a concerto for Joe Alessi came when we shared a program at the University of Miami in November, 2011. He was performing John Mackey’s concerto, Harvest, with Gary Green and the Frost Wind Ensemble, and my own Concerto for Wind Ensemble followed on the same program. 'Harvest: Concerto for Trombone' is based on the myths and mystery rituals of the Greek god Dionysus. As the Olympian god of the vine, Dionysus is famous for inspiring ecstasy and creativity. But this agricultural, earth-walking god was also subjected each year to a cycle of agonizing death before glorious rebirth, analogous to the harsh. Lego loco free download.

Band Concerti Orchestra Makey Concerto for Trombone in As the Olympian god of the vine, Dionysus is famous for inspiring ecstasy and creativity. You can also read about the piece at the Wind Repertory Project.

The gloomy heaviness of the following segment is considerably less appealing and the pealing brass chorales and full-throttle percussion of the conclusion sound like innumerable other contemporary fanfares.

Leave a Reply Cancel reply Your email address will not be published. Vibraphone, Marimba shared with Perc. You have to love a piece that pays tribute to the god of wine and ecstasy and Mackey does not disappoint. After initial, barely audible rumblings, the trombone emerges with wild, strident motifs against the raucous ensemble in a festive celebration only to conclude with a mohn solo slide as one life cycle ends. Unlike most of my other music, I initially created a long for me melody instead of a short motive as the basis of all three movements of the work, and drew motivic material from that as needed.

Cabrillo Music Festival 4. Concerto for Trombone is dedicated to Joseph Alessi. The first section begins with a slow introduction, heavy on ritualistic percussion, representing the summoning of Dionysus’s worshippers to the ceremony.

The shoots of spring burst forth in the final section, following again without pause. A tireless advocate for contemporary wind ensemble scores, Gary Green conducted with hard-driving vigor, drawing incisive, unbridled playing from the ensemble. In creating music specifically for Joseph AlessiI was drawn to his expressive, unbelievably beautiful tone on the instrument, macckey well as his ability to flatten everything in his path without sacrificing that beauty.

Wind Ensemble Grade Concerto for Trombone for solo trombone and orchestra without strings Click to buy: In Bryant added four more movements as a commission from a consortium of music schools, including UM Frost.

Concerto for Trombone – Music – Steven Bryant

Joe very generously came out to sit in the audience after his performance to hear my work, and the following year at the Midwest Clinic in Chicago, we finally had a chance to sit down for coffee, and with the support of Jerry Junkin, put this project into motion. All are challenging, and many are innovative.

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The music is absolute — there is no program or storyline apart from the inherent drama of the soloist dancing around and often above! This brutal sacrifice by the ecstatic worshippers — the pruning of the vine — is followed without pause by the second section, representing Dionysus in the stillness of death, or winter.

Mackey provides his own program notes: The first inkling of an idea to write a concerto for Joe Alessi came when we shared a program at the University of Miami in November, The rite itself builds in intensity, with Dionysus represented, of course, by the solo trombone engaging in call and response with his followers, some of whom are driven to an ecstatic outcry — almost a “speaking in tongues” –represented by insistent woodwind trills.

Harvest: Concerto for Trombone by John Mackey

The shoots of spring burst forth cohcerto the final section, following again without pause. The earth is reborn as Dionysus rises again, bringing trombine ecstasy and liberation that have been celebrated in his name for centuries. The concerto is set in three connected sections, totaling approximately 18 minutes. In three connected sections, the eighteen-minute concerto is a cycloramic feast of shifting moods and instrumental hues.

I quoted this same work of Webern in my Concerto for Wind Ensemble, the work Joe first heard in Miami which sparked his interest in my music, so concert serves as a subtle connecting thread between these two events. March 17, Author: The Midwest Clinic 5. The score does succeed in providing a bravura ensemble vehicle that requires every instrument and section to play to the very limits of their capacity.

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Concerto for Wind Ensemble by Steven Bryant.

The concerto’s movements attempt to represent this dual nature and the cycle of suffering and return. Whether spinning the long, winding melodic lines of the slow movement, the fast slides and groans of the ecstatic rituals or the pyrotechnical tour de force of the final section, Alessi showed himself an absolute master of the instrument. Concerto for Trombone” is based on the myths and mystery rituals of the Greek god Dionysus.

The first fortissimo roar of the full ensemble and antiphonal forces perks up the ears. Their fervor overcomes them, and they tear their god to shreds in an act of ritual madness.

His compositional style is fresh and original. Your email address will not be published. Joseph Alessi Premiered February 19th, Concerto for Trombone is based on the myths and mystery rituals of the Greek god Dionysus. This brutal sacrifice by the ecstatic worshippers — the pruning of the vine — is followed without pause by the second section, representing Dionysus in the stillness of death, or winter.

With this attitude and his prodigious talent, John Mackey has become a superstar composer among band directors. Depicting winter, the second section features a haunting, sadly inflected melody for the solo trombone, underpinned by prominent roles for the harp and piano.

The dense figurations of two flutes with tinkling harp dot the second movement. The god is distant, the music like a prayer. But this agricultural, earth-walking god was also subjected each year to a cycle of agonizing death before glorious rebirth, analogous to the harsh pruning and long winter the vines endure before blooming again in the spring. Glockenspiel, Sandblocks, Marimba, Vibraphone shared with Perc.

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