Rise Planet Of The Apes Free
Rise of the Planet of the Apes is a revolution; an action-packed epic featuring stunning visual effects and creatures unlike anything ever seen before. At the story's heart is Caesar (Andy Serkis. Director Rupert Wyatt has quite a bit to be proud of with his resurrection of the chimp genre, 'Rise of the Planet of the Apes'. With all the makings of a cult classic/sci fi epic, this film-on the surface about a sort of SuperApe-Caesar (in the vein of William Shakespeare's play, 'Julius Caesar', and very applicable to the film) is a success. Rise at Dawn. The Planet of the Apes video slot is a split-screen machine that, in many ways, is two games in one: on the left, a set of reels devoted to Rise of the Planet of the Apes, and on the right, one themed on Dawn of the Planet of the Apes. RISE OF THE PLANET OF THE APES is a revolution; an action-packed epic featuring stunning visual effects and creatures unlike anything ever seen before. At the story's heart is Caesar (Andy Serkis), a chimpanzee who gains human-like intelligence and emotions from an experimental drug. Raised like a child by the drug's creator (James Franco), Caesar ultimately finds himself taken from the humans. Nov 08, 2014 Rise Of The Planet of the Apes ( 2,467 ) 7.6 1h 44min 2011 X-Ray PG-13 Born in a research lab, raised by a suburban couple, and banished to an animal rescue ranch after he attacks a neighbor, a super-intelligent 'alpha male' chimp leads fellow apes in a rebellion.
Rise of the Planet of the Apes | |
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Directed by | Rupert Wyatt |
Produced by |
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Written by |
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Based on | Premise suggested by Planet of the Apes by Pierre Boulle |
Starring | |
Music by | Patrick Doyle |
Cinematography | Andrew Lesnie |
Edited by | |
Production company |
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Distributed by | 20th Century Fox |
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105 minutes[1][2] | |
Country | United States[3][4] |
Language | English |
Budget | $93 million[5][2] |
Box office | $481.8 million[2] |
Rise of the Planet of the Apes is a 2011 American science fiction film directed by Rupert Wyatt and starring James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom Felton, David Oyelowo, and Andy Serkis. Written by Rick Jaffa and Amanda Silver, it is 20th Century Fox's reboot of the Planet of the Apes series, intended to act as an origin story for a new series of films.[6] Its premise is similar to the fourth film in the original series, Conquest of the Planet of the Apes (1972), but it is not a direct remake of that film. In the film, a substance designed to help the brain repair itself gives advanced intelligence to a chimpanzee named Caesar, who leads an ape uprising.
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Rise of the Planet of the Apes was released on August 5, 2011, to critical and commercial success. The film was nominated for an Academy Award for Best Visual Effects. It was also nominated for five Saturn Awards including Best Director for Wyatt and Best Writing for Jaffa and Silver, winning Best Science Fiction Film, Best Supporting Actor for Serkis and Best Special Effects. Serkis's performance as Caesar was widely acclaimed, earning him many nominations from associations which do not usually recognize performance capture as traditional acting.
A sequel to the film, Dawn of the Planet of the Apes, was released on July 11, 2014 and a third film, War for the Planet of the Apes, was released on July 14, 2017.
- 2Cast
- 3Production
- 4Reception
Plot[edit]
Will Rodman, a scientist at the San Francisco biotech company Gen-Sys, is testing the viral-based drug ALZ-112 on chimpanzees to find a cure for Alzheimer's disease. ALZ-112 is given to a chimp named Bright Eyes, greatly increasing her intelligence. But then, during Will's presentation for the drug, Bright Eyes is forced from her cage, goes on a rampage and is shot to death. Will's boss Steven Jacobs terminates the project and has the chimps slaughtered. However, Will's assistant Robert Franklin discovers that the reason for Bright Eyes' rampage was that she had recently given birth to an infant chimp. Will reluctantly agrees to take in the chimp, who is named Caesar. Will learns that Caesar has his mother's intelligence, through being exposed to ALZ-112 in her womb, and decides to raise him. Three years later, Will introduces Caesar to the redwood forest at Muir Woods National Monument. Meanwhile, Will treats his dementia-suffering father Charles with ALZ-112, which seems to restore his cognitive ability.
Five years later, when Caesar reaches adolescence and sees a dog on a leash like his own, he questions his identity and learns of his origins from Will. Meanwhile, Charles' condition returns as he becomes resistant to ALZ-112. Caesar injures an aggressive neighbor, Douglas Hunsiker, while defending a confused Charles from him. As a result, he is placed in a primate shelter where he is tormented by a chimp named Rocket and the chief guard, Dodge Landon, but also where he befriends an orangutan named Maurice, who came from a circus. Caesar learns how to unlock his cage, gaining free access to the common area. With the assistance of a gorilla named Buck, he confronts the sanctuary's alpha, Rocket and claims that position. Meanwhile, Jacobs clears development of a more powerful, gaseous version of the drug – ALZ-113 – when Will tells him it can also improve intelligence. Will takes the drug home to try to save his father, but Charles declines further treatment and dies overnight.
After attempting to test the drug on a scarred bonobo test subject named Koba, Franklin becomes exposed to ALZ-113 and becomes ill. Attempting to warn Will at his home, he sneezes blood onto Hunsiker and is later discovered dead. Will attempts to reclaim Caesar, but the chimp refuses to go home with him so he could look after the other apes. Instead, he escapes from the facility and returns to Will's house, where he takes canisters of the ALZ-113. Upon returning, Caesar releases the gas and allows it to enhance the intelligence of the other apes. When Dodge attempts to get him back into his cage, Caesar speaks for the first time, shouting 'No!' and gets in a fight, which inadvertently leads to Dodge's death. The apes flee the facility, releasing Koba and the remaining apes from Gen-Sys and free more apes from the San Francisco Zoo on the way.
A battle ensues as the ape army fights their way past a police blockade on the Golden Gate Bridge to escape into the redwood forest. Buck sacrifices himself to save Caesar by jumping into the helicopter in which Jacobs is riding: Koba pushes Jacobs into the Golden Gate straight to his death after the crash. As the apes find their way into the forest, Will catches up to them in a stolen police car and warns Caesar that the humans will hunt them down and begs him to return home. In response, Caesar hugs him and says that 'Caesar is home'. Will, realizing that this is indeed their last goodbye, respects Caesar's wishes. The apes embrace their new lifestyle in the forest.
In a mid-credits scene, an infected Hunsiker leaves his house for work as an airline pilot, arriving at San Francisco International Airport for his flight to Paris. His nose begins to drip blood onto the floor. A graphic traces the spread of the humanity-ravaging virus around the globe via international flight routes, marking the beginning of the global Simian Flu pandemic.
Cast[edit]
Humans[edit]
- James Franco as Dr. William 'Will' Rodman, a biologist who is trying to discover a cure for his father's Alzheimer's disease by testing ALZ-112 on chimps; he is a father figure to Caesar. James Franco was cast after talks with Tobey Maguire broke down.[7][8]
- Freida Pinto as Dr. Caroline Aranha, a primatologist who begins a relationship with Will and grows attached to Caesar.
- John Lithgow as Charles Rodman, Will's Alzheimer's-afflicted father and a former music teacher who improves after Will gives him the ALZ-112 and forms a grandfatherly bond with Caesar.
- Brian Cox as John Landon, manager of the San Bruno Primate Shelter where Caesar is confined for a time.
- Tom Felton as Dodge Landon, John's son and an animal caretaker at the shelter, who abuses the apes for sport. His first and last name are references to two of the astronauts in the original Planet of the Apes.
- David Oyelowo as Steven Jacobs, Will's arrogant boss.
- Tyler Labine as Robert Franklin, a chimp handler at Gen-Sys and one of Will's friends.
- Jamie Harris as Rodney, a caretaker and a nightwatchman who is much kinder to the apes at the sanctuary and is regularly mocked by Dodge for this.
- David Hewlett as Hunsiker, Will's hot-headed neighbor.
- Chelah Horsdal as Irena, a nurse who is looking after Charles.
Apes[edit]
- Andy Serkis as Caesar, a chimpanzee whose intelligence is increased from being exposed in the womb to ALZ-112 when the drug is administered to his pregnant mother, and who is raised by Will for eight years. Caesar is based on Roddy McDowall's character in the last two films of the original Apes series.
- Karin Konoval as Maurice, a wise and benevolent Bornean orangutan who was retired from a circus and knows sign language; he becomes Caesar's closest ally. Konoval also cameos as the court clerk whom Will briefly argues with about his appeal. His name is a reference to Maurice Evans who portrays Dr. Zaius in the first two films of the original series.[9]
- Terry Notary as Rocket, the dominant chimpanzee at the ape sanctuary, until Caesar overthrows him. Notary also plays Bright Eyes, Caesar's mother, who was captured in Africa.
- Richard Ridings as Buck, a western lowland gorilla who pledges his allegiance to Caesar after he is freed by him.
- Devyn Dalton as Cornelia, a female chimpanzee in the ape sanctuary.
- Jay Caputo as Alpha, the dominant male chimpanzee of Bright Eyes' troop and Caesar's father.
- Christopher Gordon as Koba, a scarred and aggressive bonobo who has spent most of his life in laboratories and holds a grudge against humans.
Production[edit]
Development and writing[edit]
In 2006, screenwriter-producer Rick Jaffa was searching for a script idea. As Jaffa searched a newspaper articles clipping, one about pet chimpanzees that become troublesome to their owners and heartbroken for not adapting well to the human environment intrigued him. As Jaffa eventually realized it fit the Planet of the Apes series, he called his wife and screenwriting partner Amanda Silver to express his ideas of such a chimpanzee eventually starting the ape revolution, and then the couple started developing the character of Caesar. Jaffa indicated that 'it's a reinvention' and if he had to pick between calling it a prequel or a reboot he would say it is a reboot: 'It's a different story of who Caesar is, and how he came to be. So it's really kind of hard to put a label on it. We are hopefully rebooting it.' He went on to say that 'we tried really hard to create a story that would stand on its own and yet also pay homage and honor the movies that came before us.'[10] Jaffa and Silver then wrote a script and sold it to Fox, producers of the Apes franchise. The script added other elements which the couple had researched, such as genetic engineering.[11] Several tributes to specific scenes, characters, and cast and crew from the previous Apes film series were added in the script. In particular, Caesar's treatment at the primate sanctuary parallels Taylor's treatment as a captive in the original film.[12][9]
In a segment of a video blog post, director Rupert Wyatt commented on the originality of the plot: 'This is part of the mythology and it should be seen as that. It's not a continuation of the other films; it's an original story. It does satisfy the people who enjoy those films. The point of this film is to achieve that and to bring that fan base into this film exactly like Batman Begins.'[6] In a 2009 interview, Wyatt said, 'We've incorporated elements from Conquest of the Planet of the Apes, in terms of how the apes begin to revolt, but this is primarily a prequel to the 1968 film..Caesar is a revolutionary figure who will be talked about by his fellow apes for centuries..This is just the first step in the evolution of the apes, and there's a lot more stories to tell after this. I imagine the next film will be about the all-out war between the apes and humans.'[13]Mark Bomback did an uncredited rewrite of the script.[14]
Filming[edit]
Filming began in July 2010 in Vancouver, British Columbia.[15] Filming also happened in San Francisco, California (the primary setting of the film),[15] and around Oahu, Hawaii, which doubled for the African jungle as the schedule and budget did not allow for location shooting in Africa.[16]
Visual effects[edit]
As the apes in Rise were meant to be actual, the producers decided not to use actors in suits. After considering real apes, instead Weta Digital created the apes digitally in almost every case through performance capture.[17] Advances in the technology allowed the use of performance capture in an exterior environment, affording the film-makers the freedom to shoot much of the film on location with other actors, as opposed to the confines of a soundstage.[18][19] The main breakthrough was a camera that enabled viewing the motion capture dots in daylight, employed mostly for the Golden Gate Bridge battle. A maximum of six actors could have their movements captured, with larger ape crowds using fully digital animals animated using Weta's move library. The Golden Gate Bridge set used both a physical set which was extended digitally, and a fully computer-generated model of the bridge that also included the ocean and nearby hills.[20]
After shooting the actors playing humans interacting with others wearing the motion capture suits, a clean plate was shot with actors for extra reference. Actor-stuntman Terry Notary guided the actors on realistic ape movement, while Weta studied the chimps in the Wellington Zoo for reference. The digital apes also received detailed models with skeletons, muscles and nerve tissue layers for accurate animation. Cast models of apes' heads and limbs helped the texture department replicate skin details such as wrinkles and pores. Given the difference between human and chimpanzee facial muscles, the animators tweaked the performance through a new facial muscle system adding dynamics, ballistics, and secondary motion. As the silent performance required expressive eyes, a new eye model was made to depict both greater accuracy in muscle movement in and around the eyes, and also tears, pupil dilation, and light refraction.[17][21] While Andy Serkis was the primary performer for Caesar, as the effects team considered that at times 'Andy overcame the character,' other motion capture team actors were also used, especially Devyn Dalton, whose height matched that of a chimpanzee. Along with that, they used Notary to play Caesar in stunt-filled scenes such as the Golden Gate Bridge scene.[22]
Music[edit]
The score for the film was written by Patrick Doyle and performed by the Hollywood Studio Symphony conducted by James Shearman.[23] The main concern was to have the music help progress the plot in the scenes without dialogue, for instance, conveying the emotions of Caesar's relationships with Will and Charles. To turn the score into a 'driving force that keeps audiences paying attention,' Doyle employed an African-American chorus and focused on percussion and 'low and deep' orchestra sounds. Doyle collaborated closely with the sound department to make the music complement the sound effects, including writing a recurring theme based on their recording of a chimpanzee.[24]
Reception[edit]
Box office[edit]
Rise of the Planet of the Apes made its debut in the United States and Canada on roughly 5,400 screens within 3,648 theaters.[25] It grossed $19,534,699 on opening day and $54,806,191 in its entire opening weekend, making it #1 for that weekend as well as the fourth-highest-grossing August opening ever.[26] The film held on to the #1 spot in its second weekend, dropping 49.2%, and grossing $27,832,307.[27]Rise of the Planet of the Apes crossed the $150 million mark in the United States and Canada on its 26th day of release. Entertainment Weekly said that this was quite an accomplishment for the film since the month of August is a difficult time for films to make money.[28]
The film ended its run at the box office on December 15, 2011, with a gross of $176,760,185 in the U.S. and Canada as well as $305,040,864 internationally, for a total of $481,801,049 worldwide.[2]
Critical response[edit]
On review aggregatorRotten Tomatoes, the film holds a 82% approval rating based on 267 reviews, with an average rating of 7.12/10. The website's critics consensus reads, 'Led by Rupert Wyatt's stylish direction, some impressive special effects, and a mesmerizing performance by Andy Serkis, Rise of the Planet of the Apes breathes unlikely new life into a long-running franchise.'[29]Metacritic, which uses a weighted average, assigned the film a score of 68 out of 100 based on 39 critics, indicating 'generally favorable reviews'.[30] Audiences polled by CinemaScore gave the film an average grade of 'A−' on an A+ to F scale.[31]
Roger Ebert gave the film 3 out of 4 stars and praised the role of Caesar and Andy Serkis by stating it was a 'wonderfully executed character' and 'one never knows exactly where the human ends and the effects begin, but Serkis and/or Caesar gives the best performance in the movie.'[32] Giving the film 5 out of 5 stars, Joe Neumaier of Daily News labeled Rise of the Planet of the Apes as the summer's best popcorn flick.[33] Nick Pinkerton of The Village Voice wrote, 'Caesar's prison conversion to charismatic pan-ape revolutionist is near-silent filmmaking, with simple and precise images illustrating Caesar's General-like divining of personalities and his organization of a group from chaos to order.'[34] Roger Moore of Orlando Sentinel wrote, 'Audacious, violent and disquieting, 'Rise of the Planet of the Apes' is a summer sequel that's better than it has any right to be.' He gave the film 3.5 out of 4 stars.[35]Manohla Dargis of The New York Times praised the film by saying, 'Precisely the kind of summer diversion that the studios have such a hard time making now. It's good, canny-dumb fun.' She also gave it 3.5 out of 4 stars.[36]
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Peter Travers of Rolling Stone noted that the film has mixed 'twists lifted from 1972's Conquest of the Planet of the Apes and 1999's Deep Blue Sea'.[37]
Home media[edit]
Rise of the Planet of the Apes was released on Blu-ray Disc, DVD, and Digital copy on December 13, 2011.[38]
Accolades[edit]
Award | Category | Recipient | Result |
---|---|---|---|
84th Academy Awards | Best Visual Effects | Joe Letteri, Dan Lemmon, R. Christopher White and Daniel Barrett | Nominated |
Alliance of Women Film Journalists[39] | Best Supporting Actor | Andy Serkis | Nominated |
Annie Awards[40] | Character Animation in a Live Action Production | Eric Reynolds | Won |
Broadcast Film Critics Association[41] | Best Supporting Actor | Andy Serkis | Nominated |
Best Visual Effects | Won | ||
Best Action Film | Nominated | ||
Empire Awards[42] | Best Film | Nominated | |
Best Sci-Fi/Fantasy | Nominated | ||
Best Director | Rupert Wyatt | Nominated | |
Best Actor | Andy Serkis | Nominated | |
Genesis Awards | Best Feature Film | Rick Jaffa and Amanda Silver | Won |
Houston Film Critics Society[43] | Best Supporting Actor | Andy Serkis | Nominated |
Technical Achievement | Won | ||
IGN Best of 2011[44] | Best Movie | Nominated | |
Best Sci-Fi Movie | Won | ||
Best Movie Actor | Andy Serkis (also for The Adventures of Tintin) | Nominated | |
Best Movie Director | Rupert Wyatt | Nominated | |
IGN Summer Movie Awards[45] | |||
Best Summer Movie | Nominated | ||
Funniest Line | 'Why cookie Rocket?' | Nominated | |
Best All-Out Brawl | Apes vs. Humans on the Golden Gate Bridge | Nominated | |
Favorite Kill | Helicopter Pushed Over the Golden Gate Bridge | Nominated | |
Coolest Creature | Caesar | Won | |
Favorite Hero | Caesar – Andy Serkis | Won | |
Las Vegas Film Critics Society[46] | Best Visual Effects | Won | |
London Film Critics Circle | Technical Achievement | Joe Letteri | Nominated |
Phoenix Film Critics Society | Best Visual Effects | Nominated | |
San Diego Film Critics Society[47] | Best Supporting Actor | Andy Serkis | Nominated |
Satellite Awards[48] | Best Supporting Actor – Motion Picture | Andy Serkis | Nominated |
Best Visual Effects | Jeff Capogreco, Joe Letteri, R. Christopher White | Nominated | |
Saturn Awards[49] | Best Science Fiction Film | Won | |
Best Supporting Actor | Andy Serkis | Won | |
Best Director | Rupert Wyatt | Nominated | |
Best Writing | Rick Jaffa and Amanda Silver | Nominated | |
Best Special Effects | Dan Lemmon, Joe Letteri, R. Christopher White, and Daniel Barrett | Won | |
Visual Effects Society[50] | Outstanding Visual Effects in a Visual Effects-Driven Feature Motion Picture | Dan Lemmon, Joe Letteri, Cyndi Ochs, Kurt Williams | Won |
Outstanding Animated Character in a Live Action Feature Motion Picture | Caesar – Daniel Barrett, Florian Fernandez, Matthew Muntean, Eric Reynolds | Won | |
Outstanding Virtual Cinematography in a Live Action Feature Motion Picture | Thelvin Cabezas, Mike Perry, R. Christopher White, Erik Winquist | Nominated | |
Outstanding Compositing in a Feature Motion Picture | Jean-Luc Azzis, Quentin Hema, Simon Jung, Christoph Salzmann | Nominated | |
Washington D.C. Area Film Critics Association[51] | Best Supporting Actor | Andy Serkis | Nominated |
Sequels[edit]
Regarding the story setting up possible sequels, director Rupert Wyatt commented: 'I think we're ending with certain questions, which is quite exciting. To me, I can think of all sorts of sequels to this film, but this is just the beginning.'[52] Screenwriter and producer Rick Jaffa also stated that Rise of the Planet of the Apes would feature several clues as to future sequels: 'I hope that we're building a platform for future films. We're trying to plant a lot of the seeds for a lot of the things you are talking about in terms of the different apes and so forth.'[6]
On May 31, 2012, 20th Century Fox announced that the sequel would be named Dawn of the Planet of the Apes.[53] Reports said that Wyatt was leaving the sequel due to his concern that a May 2014 release date would not give him enough time to properly make the film;[54] he was replaced by Cloverfield director Matt Reeves.[55] Jaffa and Silver returned as producers and to pen the screenplay, with rewrites from Scott Z. Burns[56] and Mark Bomback.[14]
Taking place ten years after Rise, Dawn follows Caesar's growing nation of evolved apes. Andy Serkis, Terry Notary and Karin Konoval reprise their roles as Caesar, Rocket and Maurice.[57] James Franco returned as Will Rodman in a 'cameo via video'.[58]Dawn of the Planet of the Apes was released July 11, 2014.
On January 6, 2014, 20th Century Fox announced a third installment with Reeves returning to direct and co-write along with Bomback, with a planned July 2016 release.[59][60] In January 2015, Fox delayed the release to July 14, 2017.[61][62] On May 14, 2015, the title was given as War of the Planet of the Apes,[63] later re-titled to War for the Planet of the Apes.
See also[edit]
References[edit]
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- ^Lussier, Germain. 'Matt Reeves Confirmed to Helm 'Dawn of the Planet of the Apes''. Slashfilm.com.
- ^''Contagion' Writer Tapped to Pen 'Rise of the Planet of the Apes' Sequel'. The Hollywood Reporter. May 15, 2012. Retrieved June 6, 2012.
- ^Fleming, Mike Jr. (November 3, 2011). 'Andy Serkis Closes Big 'Planet Of The Apes' Deal; Should Fox Campaign For Oscar?'. Deadline.com. Retrieved November 29, 2011.
- ^'No One Bothered Telling James Franco He's In Dawn Of The Planet Of The Apes'. CinemaBlend.com. April 15, 2014. Retrieved June 11, 2014.
- ^'Matt Reeves To Helm 'Planet Of The Apes 3′'. Deadline. January 8, 2014. Retrieved October 5, 2014.
- ^'Twitter / ERCboxoffice: The damn dirty apes will return yet again, as UNTITLED PLANET OF THE APES (not the official title) stakes out 7/29/16'. Twitter.com. January 14, 2014. Retrieved June 11, 2014.
- ^McNary, Dave (January 5, 2015). 'Channing Tatum's X-Men Spinoff to Hit Theaters in 2016'. Variety. Retrieved January 7, 2015.
- ^Sneider, Jeff (January 5, 2015). 'Channing Tatum's 'Gambit' Gets 2016 Release Date, 'Fantastic Four' Sequel Moves Up'. Retrieved January 6, 2015.
- ^'New Planet of the Apes Movie Title Revealed'. Collider. Retrieved May 14, 2015.
External links[edit]
- Rise of the Planet of the Apes on IMDb
- Rise of the Planet of the Apes at the American Film Institute Catalog
Directed by
Rupert Wyatt |
Writing Credits
Rick Jaffa | .. | (written by) & |
Amanda Silver | .. | (written by) |
Pierre Boulle | .. | (based on the novel 'La Planète des Singes' by) (uncredited) |
Cast (in credits order) complete, awaiting verification
Andy Serkis | .. | Caesar | |
Karin Konoval | .. | Maurice / Court Clerk | |
Terry Notary | .. | Rocket / Bright Eyes | |
Richard Ridings | .. | Buck - Ape | |
Christopher Gordon | .. | Koba - Ape (as Chris Gordon) | |
Devyn Dalton | .. | Cornelia - Ape | |
Jay Caputo | .. | Alpha | |
James Franco | .. | Will Rodman | |
Freida Pinto | .. | Caroline Aranha | |
John Lithgow | .. | Charles Rodman | |
Brian Cox | .. | John Landon | |
Tom Felton | .. | Dodge Landon | |
David Oyelowo | .. | Steven Jacobs | |
Tyler Labine | .. | Robert Franklin | |
Jamie Harris | .. | Rodney - Shelter Assistant | |
Ty Olsson | .. | Chief John Hamil | |
David Hewlett | .. | Hunsiker | |
Joey Roche | .. | Todd Hunsiker | |
Madison Bell | .. | Alice Hunsiker | |
Makena Joy | .. | Alice Hunsiker (Teen) | |
Kevin O'Grady | .. | Animal Control Officer #1 | |
Sean Tyson | .. | Animal Control Officer #2 | |
Kyle Riefsnyder | .. | CHP #1 | |
Anthony McRae | .. | CHP #2 | |
Jesse Reid | .. | Donnie Thompson | |
BJ Harrison | .. | Dottie | |
Leah Gibson | .. | Party Girl #1 | |
Tracy Spiridakos | .. | Party Girl #2 | |
Ivan Wanis-Ruiz | .. | Handler @ Lab #1 (as Ivan Wanis Ruiz) | |
Trevor Carroll | .. | Handler @ Lab #2 | |
Chelah Horsdal | .. | Irena - Charles' Nurse | |
Mattie Hawkinson | .. | Linda - Lab Tech | |
James Pizzinato | .. | Lab Tech | |
Ryan Jefferson Booth | .. | South Side Commander (as Ryan Booth) | |
Gordon Douglas Myren | .. | Local Guy | |
Elizabeth Weinstein | .. | Mom in Muir Woods | |
Jeb Beach | .. | Dad in Muir Woods | |
Jack Kuris | .. | Boy in Muir Woods | |
Meredith Grantier | .. | New Aide (as Meredith Canby) | |
Javier Caballero Cano | .. | Newspaper Dad | |
Peter Bundic | .. | Newspaper Boy #1 | |
Dylan Nouri | .. | Newspaper Boy #2 | |
Derek Morrison | .. | Security Guard #1 | |
Dean Redman | .. | Security Guard #2 | |
Hector Johnson | .. | Security Guard #3 | |
David Richmond-Peck | .. | Board Member #1 | |
Adrian Hough | .. | Board Member #2 | |
Evans Johnson | .. | Board Member #3 | |
Qayam Devji | .. | Todd's Buddy | |
Riel Hahn | .. | Zoo Guide | |
Michael Kopsa | .. | Jerk Driver | |
Steve Lawlor | .. | SFPD #1 | |
Chris Shields | .. | SFPD #2 | |
Sandy Robson | .. | SFPD #3 | |
Mike Dopud | .. | Northside Officer | |
Stacey Schmidt | .. | Jogger | |
Willy Miles | .. | Guy with Newspaper | |
Adrian Hein | .. | Sharp Shooter | |
Rest of cast listed alphabetically: | |||
Trevor Addie | .. | Ape (uncredited) | |
Jeffery Aro | .. | Ape (uncredited) | |
Camille Atebe | .. | Playground Mom (uncredited) | |
Loyd Bateman | .. | Ape (uncredited) | |
Sonja Bennett | .. | Mother on Sidewalk (uncredited) | |
Simon Burnett | .. | Ape (uncredited) | |
Charles L. Campbell | .. | News Voice (uncredited) | |
Raymond Chan | .. | Ape (uncredited) | |
Richard Darwin | .. | Baby Caesar (Puppeteer) (uncredited) | |
Rufus Dorsey | .. | CHP #3 (uncredited) | |
Tom Franco | .. | Mounted Officer (uncredited) | |
Juliette Goodrich | .. | KPIX News Anchor (uncredited) | |
Mark Henriques | .. | Driver (uncredited) | |
Tammy Hui | .. | Bridge Driver (uncredited) | |
Trevor Jones | .. | Ape (uncredited) | |
Scott Lang | .. | Ape (uncredited) | |
Matteo Mazziotti | .. | Child in Car (uncredited) | |
Monica Mustelier | .. | Lab Tech #3 (uncredited) | |
Hal Myshrall | .. | Suit (uncredited) | |
Syn Narula | .. | Lab Tech #4 (uncredited) | |
Robin Nielsen | .. | Lab Tech #2 (uncredited) | |
Frédéric North | .. | Camera Ship Pilot (uncredited) | |
Panou | .. | SFPD #4 (uncredited) | |
Sean Connor Roche | .. | Teen Todd Hunsiker (uncredited) | |
Luc Roderique | .. | SWAT (uncredited) | |
Lauren Watson | .. | Scared Girl in Stairway (uncredited) | |
Linda Watters | .. | Primate Lab Technician (uncredited) | |
Timothy Webber | .. | Janitor - Stan Timko (uncredited) | |
Kis Yurij | .. | Worker (uncredited) |
Produced by
Peter Chernin | .. | producer |
Dylan Clark | .. | producer |
Thomas M. Hammel | .. | executive producer |
Rick Jaffa | .. | producer |
Mike Larocca | .. | co-producer |
Amanda Silver | .. | producer |
Kurt Williams | .. | co-producer |
Music by
Patrick Doyle |
Cinematography by
Andrew Lesnie | .. | director of photography |
Film Editing by
Conrad Buff IV | .. | (as Conrad Buff) |
Mark Goldblatt |
Casting By
Debra Zane |
Production Design by
Claude Paré |
Art Direction by
Dan Hermansen | ||
Helen Jarvis | .. | supervising art director |
Grant Van Der Slagt |
Set Decoration by
Elizabeth Wilcox |
Costume Design by
Renée April |
Makeup Department
Naomi Bakstad | .. | assistant makeup artist |
Victoria Down | .. | head makeup artist |
Tibor Farkas | .. | special makeup effects artist |
Debra Johnson | .. | key hair stylist: second unit |
Sherry Linder-Gygli | .. | head hair stylist (as Sherry Gygli) |
Thom MacIntyre | .. | first assistant hair stylist (as Thom McIntyre) |
Raj Mariathason | .. | special makeup effects lab technician |
Shelagh McIvor | .. | special makeup effects technician |
Frida Norrman | .. | 1st assist. special make up effects technician |
Michele Perry | .. | motion capture makeup |
Christopher Mark Pinhey | .. | first assistant makeup artist (as Christopher Pinney) |
Bill Terezakis | .. | special makeup effects designer: WCT Productions |
Yvonne Cox | .. | animal effects fabrication (uncredited) |
Emanuela Daus | .. | makeup artist (uncredited) |
Vanessa Giles | .. | makeup artist: second unit (uncredited) |
Emma Julia Jacobs | .. | makeup artist (uncredited) / motion capture makeup (uncredited) / special makeup effects artist (uncredited) |
Michael Nickiforek | .. | animal effects fabrication (uncredited) |
Vicki Syskakis | .. | animal effects fabrication (uncredited) |
Production Management
Bonnie Benwick | .. | unit manager: second unit (as Bonnie R. Benwick) |
John Catron | .. | production supervisor: Hawaii |
Debra K. Chinn | .. | international post production executive |
Heidi Erl | .. | production supervisor: San Francisco |
Thomas M. Hammel | .. | unit production manager |
Wendy Williams | .. | unit production manager (as Wendy S. Williams) |
Aaron Downing | .. | executive in charge of post-production (uncredited) |
Frank Macfarlane | .. | animation production manager (uncredited) |
Mahria Sangster | .. | production manager (uncredited) |
Second Unit Director or Assistant Director
Amanda Bartley | .. | third assistant director: second unit |
James Bitonti | .. | first assistant director: second unit (as James A. Bitonti) |
Brendon Breese | .. | second assistant director |
Mathew Dunne | .. | first assistant director: Golden Gate |
Gary Hawes | .. | second assistant director: Golden Gate |
Kris Krinkle | .. | first assistant director: Hawaii |
Dan Mansfield | .. | second assistant director: second unit (as Daniel Mansfield) |
Shaun Moskie | .. | trainee assistant director: second unit |
Cindy Smith | .. | second assistant director |
Brian Smrz | .. | second unit director |
Haylee Thompson | .. | third assistant director |
Mark Vargo | .. | second unit director |
Pete Whyte | .. | first assistant director |
Aaron Wintringham | .. | assistant director trainee |
Wainani Young-Tomich | .. | second assistant director (as Wainani Young Tomich) |
Michael Bendner | .. | additional assistant director: background coordinator (uncredited) |
Art Department
Rise Planet Of The Apes Free Online
Mohamed AbouAhmed | .. | set plasterer |
J.P. Bagshaw | .. | set dresser (as JP Bagshaw) |
Britt Bancroft | .. | set decoration coordinator |
John Beatty | .. | sculptor (as John William Beatty) |
Robert Bedier | .. | sculptor |
Silviu Bejan | .. | sculptor |
Eli Best | .. | art department assistant |
Michael A. Billings | .. | set decorator: reshoots |
Derek Bobroff | .. | on-set painter |
Carlos Bolbrugge | .. | graphic artist |
Rob Boulet | .. | scenic artist |
Graham Brown | .. | metal fabricator |
Gordon Brunner | .. | lead set dresser |
Timothy Burgard | .. | storyboard artist |
Scott Callow | .. | metal fabricator |
Chad W. Chilibeck | .. | set dresser (as Chad Chilibeck) |
Kevin Clark | .. | greensman |
Rian Codd | .. | lead carpenter |
J. Geoff Crosby | .. | scenic carpenter / tool maintenance |
Brian Cunningham | .. | concept illustrator / graphic illustrator |
John Dale | .. | construction coordinator |
Jordan Dobbie | .. | on-set props / property buyer |
Warren Drummond | .. | storyboard artist |
David E. Duncan | .. | animatic artist |
Dean Eilertson | .. | property master |
Donald Engel | .. | carpenter (as Don Engel) |
Mark Ennis | .. | lead carpenter |
Keith Esch | .. | lead painter |
Nancy Ford | .. | assistant art director |
Bill Foster | .. | construction foreman |
Bruce Frankel | .. | head scenic paint coordinator: reshoots / lead painter |
Kirsten Franson | .. | illustrator |
David 'Pops' Fukakusa | .. | construction foreman (as David Fukakusa) |
Thomas J. Gaudet | .. | lead carpenter |
Jack Gauvreau | .. | head sculptor |
Ceco Georgiev | .. | character designer: The Aaron Sims Company |
Harvey Gibbons | .. | lead carpenter |
Marc Giroux | .. | lead carpenter |
Todd Handel | .. | lead carpenter |
Joseph Cassady Harris | .. | set dresser (as Joseph Cassidy Harris) |
Michelle Hendriksen | .. | assistant property master |
Peter Hinton | .. | set dresser |
Kazu Hiro | .. | character designer: The Aaron Sims Company (as Kazu Tsuji) |
Slavik IA | .. | previsualization (as Slavik Anishchenko) |
Terry Jarretti | .. | on-set greensman (as Terry Jarrette) |
Carl Johansen | .. | lead greensman |
Brian Kaiser | .. | lead carpenter |
Christian Kearney | .. | property assistant: second unit |
Jan Kobylka | .. | supervising construction coordinator |
John Kobylka | .. | on-set carpenter |
Eric Langstroth | .. | metal fabrication foreman |
John Lavoie | .. | lead painter |
Aaron Leslie | .. | lead metal fabricator |
Terry Lewis | .. | set decoration buyer |
Andrew Li | .. | assistant art director |
Rohan Lyal | .. | head greensman |
Tracy Lynch | .. | sculptor |
Bruno Maganic | .. | sculptor |
Diego Maia | .. | character designer: The Aaron Sims Company |
Alexander Mandradjiev | .. | character designer: The Aaron Sims Company |
Jerad Marantz | .. | character designer: The Aaron Sims Company |
Josette Martinet | .. | sculptor |
Ignacio McBurney | .. | assistant set decorator |
Sheila Millar | .. | set designer |
Reuel Minard | .. | carpenter |
Rob Nicholson | .. | construction foreman (as Bob Nicholson) |
Tyler Page | .. | property assistant: second unit |
Claudio Palavecino | .. | on-set props |
Jacques Paradis | .. | construction foreman |
Dan Petrescu | .. | paint foreman |
Hamish Purdy | .. | assistant set decorator |
J.J. Reddy | .. | set dresser (as JJ Reddy) |
Matt Reddy | .. | lead set dresser |
Mike Reddy | .. | set dresser |
Steffen Reichstadt | .. | character designer: The Aaron Sims Company |
Steve Reintjes | .. | paint foreman (as Steven Reintjes) |
Rory Rennison | .. | metal fabricator |
Tullis Rose | .. | assistant property master: second unit |
James Rothwell | .. | animatic |
Sandrina I.A. Sacco | .. | set dresser |
Erroll C. Salewski | .. | lead carpenter |
Richard Schultz | .. | lead greensman (as Rick Schultz) |
Rodger Schultz | .. | lead carpenter |
Tudor Serban | .. | sculptor |
James Silver | .. | metal fabricator |
Dennis Simard | .. | set dresser |
Aaron Sims | .. | character designer: The Aaron Sims Company |
Gordon Stewart | .. | set dresser |
James Summers | .. | lead greensman |
Peter Sysoev | .. | Scenic painter |
Sharon Thompson | .. | art department coordinator |
Bruce Timko | .. | lead carpenter |
Mario Tomas-Niedworok | .. | paint coordinator |
Joel Turner | .. | Lead greens |
Bruce Van Slyke | .. | sculptor |
Ross Wahl | .. | on-set dresser (as Ross Joseph Wahl) |
Sandy Walker | .. | set dec buyer |
Ric Walkington | .. | property master: second unit |
William Weigand | .. | animatic assistant |
Tracey Wilson | .. | storyboard artist |
Vernon Winn | .. | metal fabricator |
Patrick Zahorodniuk | .. | graphic artist |
Leon Zarry | .. | metal fabricator |
Milena Zdravkovic | .. | illustrator |
Matthew Clancy | .. | scenic carpenter (uncredited) |
Doug Girling | .. | set designer (uncredited) |
Adrian Hrytzak | .. | graphic designer (uncredited) |
Patrick Kearns | .. | set dresser (uncredited) |
Andrew Li | .. | art director: second unit (uncredited) |
Ken Palkow | .. | prop fabricator (uncredited) |
Bryan Sutton | .. | set designer (uncredited) |
Michael Toby | .. | model maker (uncredited) |
Gary Young | .. | set sculptor (uncredited) |
Sound Department
Roberto Dominguez Alegria | .. | foley mixer (as Roberto Domínguez) |
Ron Bartlett | .. | re-recording mixer |
James Bolt | .. | additional re-recording mixer (as Jim Bolt) |
Simon Bright | .. | sound assistant |
Jim Brookshire | .. | adr editor |
Derek Casari | .. | adr engineer |
David Chornow | .. | sound mixer |
Smokey Cloud | .. | first assistant sound editor (as Matt 'Smokey' Cloud) |
John T. Cucci | .. | foley artist |
Scott Curtis | .. | foley mixer |
Susan Dawes | .. | dialogue editor |
Dawn Fintor | .. | foley artist |
Dustin Freeman | .. | sound effects recordist |
Paul Galvez | .. | sound intern |
Destin E. Gautier | .. | sound effects recordist (as Destin Gautier) |
Tim Gomillion | .. | sound stage engineer |
David Grimaldi | .. | sound effects editor |
Matthew Harrison | .. | foley editor |
Doug Hemphill | .. | re-recording mixer (as D.M. Hemphill) |
David Husby | .. | sound mixer |
Mildred Iatrou | .. | adr supervisor (as Mildred Iatrou Morgan) |
Laura Kaysen | .. | sound editorial intern |
R.J. Kizer | .. | adr editor |
John A. Larsen | .. | supervising sound editor |
Wayne Lemmer | .. | sound effects editor |
David Lucarelli | .. | adr recordist |
Helen Luttrell | .. | dialogue supervisor |
Darryl Marko | .. | boom operator |
Chuck Michael | .. | additional sound re-recording mixer / sound designer / supervising sound editor |
John Morris | .. | sound effects editor |
John Murray | .. | foley supervisor |
Jordan O'Neill | .. | datasat sound mastering engineer |
Charleen Richards | .. | adr mixer (as Charleen Richards Steeves) |
Dennis Rogers | .. | sound recordist |
Rick Santizo | .. | commentary mixer |
Thomas W. Small | .. | foley editor (as Thomas Small) |
William Stein | .. | sound re-recording engineer (as Bill Stein) |
Alicia Stevenson | .. | foley artist |
Bruce Tanis | .. | foley editor |
Chris Ward | .. | adr mixer |
Craig Weintraub | .. | assistant sound editor |
James Ashwill | .. | foley mixer (uncredited) |
David Betancourt | .. | adr mixer (uncredited) |
Wendy Czajkowsky | .. | adr mixer (uncredited) |
Kathryn He | .. | sound assistant (uncredited) |
Beauxregard Neylen | .. | adr mixer (uncredited) |
Mark Noda | .. | sound mixer: second unit (uncredited) |
Rob Nokes | .. | sound effects field recordist (uncredited) |
Marc Antonio Pritchett | .. | sfx vocalist (uncredited) |
Erin Michael Rettig | .. | sound engineering (uncredited) |
Jonathan Rimas | .. | adr mixer (uncredited) |
Mark Sheffield | .. | sound mix technician (uncredited) |
John Soukup | .. | sound transfer (uncredited) |
Special Effects by
Cara E. Anderson | .. | special effects buyer |
Todd Bilawchuk | .. | special effects site foreman |
Michael Bolan | .. | rigger: mechanical effects / special effects assistant |
Dennis Briest | .. | special effects technician |
Jeffrey Butterworth | .. | special effects best boy (as Jeff Butterworth) / special effects first assistant (as Jeff Butterworth) |
Kelly Coe | .. | special effects assistant / special effects fabricator |
Steve Collins | .. | special effects assistant / special effects fabricator |
Steve Davis | .. | special effects assistant / special effects fabricator |
Carl DeBoer | .. | special effects assistant / special effects fabricator |
Chris Flemington | .. | special effects on-set lead |
Katherine Fraser | .. | special effects technician |
James Gawley | .. | special effects machinist |
Kurt Jackson | .. | special effects assistant / special effects best boy: second unit |
Mark Kalaugher | .. | special effects: Hawaii |
Tony Lazarowich | .. | special effects coordinator |
Chris Link | .. | special effects assistant |
Eric Milner | .. | special effects technician |
Kim Mortensen | .. | special effects lead hand |
Mark Obedinski | .. | special effects shop foreman (as Mark Obedzinski) |
Clay Orr | .. | special effects foreman |
Bill Pankiw | .. | special effects technician |
James Paradis | .. | special effects site foreman |
Randy Parks | .. | special effects technician |
Rae Reedyk | .. | special effects assistant / special effects fabricator |
Clay Scheirer | .. | special effects assistant (as Clayton Orr) / special effects fabricator (as Clayton Orr) |
Jeremy Simons | .. | special effects assistant |
Jerry Simons | .. | special effects fabricator |
Matt Sleep | .. | special effects shop laborer (as Matthew Sleep) |
Curt Storms | .. | special effects fabricator (as William C. Storms) / special effects machinist (as William C. Storms) |
Harry Tomsic | .. | special effects assistant / special effects fabricator |
Steve Tressel | .. | special effects assistant / special effects fabricator |
Eric Vrba | .. | special effects assistant / special effects electronics |
Richard Darwin | .. | animatronic designer (uncredited) |
Colin Decker | .. | special effects (uncredited) |
Alan Hawes | .. | special effects assistant (uncredited) |
Shaun Noelte | .. | sculptor: Theta Effect (uncredited) |
Vance Vegas Salvalaggio | .. | special effects technician (uncredited) |
Andrew Verhoeven | .. | motion base operator (uncredited) |
Dan Youngs | .. | special effects assistant (uncredited) |
Visual Effects by
Shaun Friedberg 'Pyrokinesis' | .. | animation technical director: Weta Digital (as Shaun Friedberg) |
Seb Abante | .. | reference photographer: Weta Digital |
David Abbott | .. | shader writer: Weta Digital |
John Aberdein | .. | motion capture pipeline manager: Weta Digital |
Eva Abramycheva | .. | previs coordinator |
Alberto Abril | .. | animator: Weta Digital |
Giovanni Acchione | .. | motion capture setup: first unit, Weta Digital (as John 'Gio' Acchione) |
Gino Acevedo | .. | textures supervisor: Weta Digital |
Holly Acton | .. | compositor: Weta Digital / texture artist: Weta Digital |
Kate Adams | .. | layout artist / layout technical director: Weta Digital |
Richard Addison-Wood | .. | senior software developer: Weta Digital |
Michael Aerni | .. | senior animator: Weta Digital |
Kevin Aguirre | .. | lead previsualization artist |
Gustav Ahren | .. | lead and senior facial modeler: Weta Digital |
Malcolm Aitchison | .. | technical support lead: Weta Digital |
Tim Alexander | .. | data center facilities manager: Werta Digital |
Stuart Allan | .. | postviz artist: PLF |
Mark Edward Allen | .. | fur groomer: Weta Digital |
Stan Alley | .. | senior on-set visual effects technical director: Weta Digital |
Stephen Allison | .. | render wrangler: Weta Digital |
Jon Allitt | .. | massive supervisor: Weta Digital |
Marcus Alqueres | .. | animator: Weta Digital |
Jan Althaus | .. | research and development: Weta Digital |
Svend Andersen | .. | systems and technical support: Weta Digital |
Glenn Anderson | .. | systems and technical support: Weta Digital |
Raine Anderson | .. | lead texture artist: Weta Digital |
Eric Antoine | .. | lead body mocap technician: second unit, Weta Digital |
Lucy Appleby | .. | visual effects production assistant: Weta Digital |
Jane Apthorp | .. | texture artist: Weta Digital |
Christine Arboit | .. | lighting techical director: Weta Digital |
Ryan Arcus | .. | layout technical director: Weta Digital |
Georgy Arevshatov | .. | senior texture artist: Weta Digital |
Vincent Argentine | .. | body mocap technician: second unit, Weta Digital |
Elisabeth Arko | .. | motion editor: Weta Digital |
Yalda Armian | .. | models production manager: Weta Digital |
Shannon Armstrong | .. | visual effects production assistant: Weta Digital |
Jeffrey Arnold | .. | lighting technical director: Weta Digital |
Dan Ashton | .. | digital imaging lead: Weta Digital (as Daniel Ashton) |
Mia Askew | .. | senior texture artist: Weta Digital |
Andrew Atkinson | .. | database administrator / visual effects systems tools manager: Weta Digital |
Kevin Atkinson | .. | software developer: Weta Digital |
Jean-Marie Aubry | .. | research and development: Weta Digital |
Derrick Auyoung | .. | animation technical director: Weta Digital |
Patrice Avery | .. | previs producer: HALON |
Sergio Ayrosa | .. | compositor: Weta Digital |
Jean-Luc Azzis | .. | compositing supervisor: Weta Digital |
Sindharmawan Bachtiar | .. | creature technical director: Weta Digital |
Tim Baier | .. | compositor: Weta Digital |
Simon Baker | .. | visual effects technical director: Weta Digital |
Robert Baldwin | .. | senior texture artist: Weta Digital |
Marco Barbati | .. | senior creature facial technical director: Weta Digital |
Mark Barber | .. | lighting technical director: Weta Digital |
Ned Barraud | .. | senior texture artist: Weta Digital |
Daniel Barrett | .. | animation supervisor: Weta Digital |
Jacob Barrow | .. | creature technical director: Weta Digital |
Teresa Barsall | .. | motion editor: Weta Digital (as Teresa Barsali) |
Bryn Bayliss | .. | visual effects technical director: Weta Digital |
Stephen Bayliss | .. | visual effects accounts supervisor: Weta Digital (as Steve Bayliss) |
Daniel Bayona | .. | matte painter: Weta Digital |
Hamish Beachman | .. | modeler: Weta Digital |
Kelly Bechtle-Woods | .. | lighting technical director: Weta Digital |
Lyse Beck | .. | lead and senior compositor: Weta Digital |
Kathleen Beeler | .. | senior texture artist / texture artist: Weta Digital |
Babak Beheshti | .. | active marker technology: Weta Digital |
Brittany Bell | .. | motion capture: Weta Digital |
John Bellas | .. | title sequence designer/animator |
Daniel Bennett | .. | texture artist: Weta Digital |
David Bennett | .. | facial motion editor manager: Weta Digital |
Michael Benton | .. | visual effects production runner: Weta Digital |
Renaud Bergeron | .. | lighting technical director: Weta Digital |
Pravin Bhat | .. | research and development: Weta Digital |
Erik Bierens | .. | camera technical director: Weta Digital |
Kris Bieringa | .. | render wrangler: Weta Digital (as Kris Vieringa) |
Graham Binding | .. | senior animator: Weta Digital |
Helen Blake | .. | visual effects technical director: Weta Digital |
Pavani Rao Boddapati | .. | lead lighting technical director: Weta Digital |
Moragot Bodharamik | .. | animator: Weta Digital |
Philip Boltt | .. | motion capture pipeline supervisor: Weta Digital |
Alessandro Bonora | .. | lead facial modeler: Weta Digital |
Nick Booth | .. | digital imaging supervisor: Weta Digital / digital imaging supervisor: weta digital |
Jonathan Bot | .. | compositor: Weta Digital |
Jake Botting | .. | motion capture stage manager: Weta Digital |
Antoine Bouthors | .. | software developer: Weta Digital |
Katreena Erin Bowell | .. | texture artist: Weta Digital |
Chris Bowers | .. | previsualization artist |
Adam Bradley | .. | senior paint and rotoscope artist: Weta Digital |
Derek Brady | .. | layout technical director: Weta Digital |
Danny Braet | .. | visual effects artist: CFE |
Lee Bramwell | .. | visual effects camera supervisor: Weta Digital |
Jason Breneman | .. | previs artist: Blind Squirrel Digital |
Benjamin Brenneur | .. | lead and senior motion editor: Weta Digital / motion editor: Weta Digital |
Kristie Breslin | .. | creatures department manager: Weta Digital |
Robert Bridson | .. | research and development: Weta Digital |
Ryan Brooks | .. | paint and rotoscope artist: Weta Digital |
Andrew P. Brown | .. | visual effects accountant (as Andrew Brown) |
David Brunette | .. | compositor: Weta Digital |
Tanya Buchanan | .. | visual effects recruitment manager: Weta Digital |
Sam Bui | .. | lead lighting technical director: Weta Digital |
Joerg W. Bungert | .. | digital colourist: Weta Digital |
Sophie Burbery | .. | visual effects production runner: Weta Digital |
Clare Burgess | .. | digital effects producer: Weta Digital |
Sebastian Burke | .. | research and development: Weta Digital |
Brian Burks | .. | previsualization artist |
Andy Burmeister | .. | camera technical director: Weta Digital |
Hans Butler | .. | lead and senior motion editor: Weta Digital |
Julian R. Butler | .. | lead creature technical director: Weta Digital (as Julian Butler) |
Kurt Butler | .. | modeler: Weta Digital |
Hamza Butt | .. | digital artist |
Sam Buys | .. | visual effects asset manager: Weta Digital |
Tom Buys | .. | visual effects production runner: Weta Digital |
Robert Byrne | .. | lighting technical director: Weta Digital |
Thelvin Cabezas | .. | digital effects supervisor: Weta Digital (as Thelvin Tico Cabezas) |
Regina Cachuela | .. | animation technical director: Weta Digital (as Regina Paula Cachuela) |
David Caeiro Cebrián | .. | visual effects technical director: Weta Digital (as David Caeiro Cebrian) |
Djordje Cakovan | .. | modeler: Weta Digital |
Andrew Calder | .. | senior animator: Weta Digital |
Sonia Calvert | .. | lead and senior compositor: Weta Digital |
Charlie Camp | .. | visual effects production runner: Weta Digital |
Ben Campbell | .. | lighting technical director: Weta Digital |
Zac Campbell | .. | compositor: Weta Digital (as Zachary Campbell) |
Cedric Enriquez Canlas | .. | modeler: Weta Digital |
Chris Cantero | .. | previs lead animator: Blind Squirrel Digital |
Jeff Capogreco | .. | digital effects supervisor: Weta Digital |
Caleb Carr | .. | paint and rotoscope artist: Weta Digital |
Taylor Carrasco | .. | animation technical director: Weta Digital (as Taylor J. Carrasco) |
Oliver Castle | .. | senior software developer: Weta Digital |
Tim Catchpole | .. | camera technical director: Weta Digital |
Norman Cates | .. | lead and senior compositor: Weta Digital |
Myriam Catrin | .. | senior texture artist: Weta Digital |
Nick Cattell | .. | matte painter: Weta Digital |
Bernard O. Ceguerra | .. | lighting technical director: Weta Digital |
Luke Chamberlain | .. | systems and technical support: Weta Digital |
Scott Chambers | .. | compositor: Weta Digital |
Johnny Chan | .. | Facial Motion Editor: Weta Digital |
Yuk Ting Chan | .. | creature technical director: Weta Digital |
Jung Min Chang | .. | senior modeler: Weta Digital |
Matthieu Chardonnet | .. | senior effects technical director: Weta Digital |
Hamish Charleson | .. | technical support lead: Weta Digital |
Tim Cheng | .. | senior paint and rotoscope artist: Weta Digital |
Jason K.S. Cheung | .. | production engineer: Weta Digital (as Jason Cheung) |
Eddie Chew | .. | animator: Weta Digital |
Anthony Chiang | .. | layout technical director: Weta Digital |
Ben A. Chisholm | .. | visual effects assistant (as Ben Chisholm) |
Sujesh V. Chitty | .. | matte painter: Soho VFX |
Jong Jin Choi | .. | lighting technical director: Weta Digital |
Pamela Choules | .. | visual effects editor |
Amy Christensen | .. | lead lighting technical director: Weta Digital |
Andrea Christie | .. | lighting technical director: Weta Digital |
Glen Christie | .. | lighting technical director: Weta Digital |
Julia Jooyeon Chung | .. | animator: Weta Digital |
Matthew Cioffi | .. | facial modeler: Weta Digital |
Patrick Clancey | .. | digital opticals |
Rhys Clapcott | .. | creature technical director: Weta Digital |
Joseph Clark | .. | model groomer: Weta Digital |
Mike Clark | .. | animator: Weta Digital |
Craig D. Clarke | .. | layout technical director: Weta Digital |
Raymond Clarke | .. | visual effects facilities technician: Weta Digital |
Gerald Clevy | .. | senior animator: Weta Digital |
Simon Clutterbuck | .. | digital creatures supervisor: Weta Digital |
Johann Francois Coetzee | .. | creature technical director: Weta Digital |
Michael Comfort | .. | lead previs artist |
Peter Connelly | .. | lighting technical director: Weta Digital |
Gemma Cooper | .. | compositor: Weta Digital |
Jeremy A. Cooper | .. | previs lead: Blind Squirrel Digital |
Shane Cooper | .. | senior software developer: Weta Digital |
Michael Corcoran | .. | lead creature technical director: Weta Digital |
Justin Cornish | .. | visual effects supervisor: Atomic Arts |
Michelle Cornwall | .. | body mocap technician: first unit, Weta Digital |
Brenton Cottman | .. | matte painter: Weta Digital |
Alasdair Coull | .. | code department supervisor: Weta Digital / head of research and development |
Fran¸ois Coulon | .. | creature technical director: Weta Digital |
Andrei Coval | .. | facial modeler: Weta Digital |
Dan Cox | .. | senior lighting technical director: Weta Digital |
Michael Cox | .. | textures technical supervisor: Weta Digital |
Michael Cozens | .. | lead animator: Weta Digital |
Christine Cram | .. | senior paint and rotoscope artist: Weta Digital |
Doug Cram | .. | compositor: Weta Digital |
Nick Craven | .. | lead animator: Weta Digital |
Jim Croasdale | .. | senior paint and rotoscope artist: Weta Digital |
Rob Crone | .. | data wrangler |
Steve Cronin | .. | senior compositor: Weta Digital |
Steve Crown | .. | lead and senior compositor: Weta Digital |
Alan Cruz | .. | motion editor: Weta Digital (as Alan Salmorin Cruz) |
Aaron Cubis | .. | visual effects editor: Weta Digital |
Glenn Curry | .. | layout technical director: Weta Digital |
John Curtis | .. | motion capture pipeline engineer: Weta Digital |
Eugene d'Eon | .. | research and development: Weta Digital |
Ken Dackermann | .. | compositor: Weta Digital |
Marion Davey | .. | previs production manager: Weta Digital |
Ed Davis | .. | modeler: Weta Digital |
Juliette Davis | .. | visual effects production manager: Weta Digital |
Joanna Davison | .. | lighting technical director: Weta Digital |
Shinji Dawson | .. | creature technical director: Weta Digital |
Mario de Dios | .. | visual effects artist |
Daphne De Jesus | .. | senior paint and rotoscope artist: Weta Digital |
Sarah de Schot | .. | visual effects production runner: Weta Digital |
Tom Del Campo | .. | senior animator: Weta Digital |
Anna Delany | .. | visual effects production runner: Weta Digital |
Graeme Demmocks | .. | shots r&d technical director: Weta Digital |
Chris Derochie | .. | previs animator |
Anthony Di Ninno | .. | previs artist |
Tamir Sammy Diab | .. | lighting technical director: Weta Digital (as Tamir Diab) / lighting technical director: Weta Digital |
Gareth Dinneen | .. | compositor: Weta Digital |
James Dinsdale | .. | systems and technical support: Weta Digital |
Jennifer Docherty | .. | r&d coordinator: Weta Digital |
Richard Dorling | .. | creature lead software developer: Weta Digital |
Tim Douglas | .. | model groomer: Weta Digital |
Rebecca Downes | .. | information systems lead: Weta Digital |
James Doyle | .. | visual effects technical director: Weta Digital |
Loring Doyle | .. | senior paint and rotoscope artist: Weta Digital |
Samuel Doyle | .. | texture artist: Weta Digital |
Nebojsa Dragosavac | .. | motion capture coder: Weta Digital |
Warren Drummond | .. | visual effects storyboard artist |
Ryan Duhaime | .. | lighting technical director: Weta Digital |
Georgia Dumergue | .. | facial tracker: Weta Digital / motion tracker |
Eamon Samuel Duncan | .. | camera technical director: Weta Digital |
Samuel Duncan | .. | systems and technical support: Weta Digital (as Samuel J. Duncan) |
Simeon Duncombe | .. | lead animator: Weta Digital |
Gord Dunick | .. | data wrangler: Canada |
Shawn Dunn | .. | head of layout/animation technologies: Weta Digital |
Gus Duron | .. | digital opticals editor |
Areito Echevarria | .. | visual effects technical director: Weta Digital |
Abdullah Ecirli | .. | digital compositor |
Austin Eddy | .. | senior animator: Weta Digital |
Erich Eder | .. | compositor: Weta Digital |
Benny Edlund | .. | senior motion capture technical director: Weta Digital |
Christopher Edwards | .. | visual effects technical director: Weta Digital (as Chris Edwards) |
Samuel Edwards | .. | shots r&d technical director: Weta Digital |
Christopher Egden | .. | visual effects production assistant: Weta Digital |
Yasmine El-Ghamrawy | .. | compositor: Weta Digital (as Yasmine Scott El-Ghamrawy) |
Sharif Elcott | .. | research and development: Weta Digital |
Jack Elder | .. | research and development: Weta Digital |
Marcus Endean | .. | visual effects storyboard artist |
Jeffrey Engel | .. | animator: Weta Digital |
Joe Engelke | .. | senior paint and rotoscope artist: Weta Digital |
Paul Everitt | .. | senior paint and rotoscope artist: Weta Digital |
Campbell Taylor Fairweather | .. | visual effects tech support manager: Weta Digital (as Campbell Taylor-Fairweather) |
Nathan Farquhar | .. | model groomer: Weta Digital |
Luca Fascione | .. | r&d supervisor: Weta Digital |
Earl Fast | .. | previs animator: Image Engine |
Christine Feistl | .. | senior paint and rotoscope artist: Weta Digital |
Oliver Ferguson | .. | visual effects technical director: Weta Digital |
Florian Fernandez | .. | lead modeler: Weta Digital |
Andrew Fitchett | .. | visual effects production runner: Weta Digital |
Kristina Flach | .. | on-set visual effects production manager: Weta Digital |
Warren Flanagan | .. | visual effects storyboard artist |
Liana Fleming | .. | research and development: Weta Digital |
Ryan Flick | .. | additional visual effects assistant: Canada |
Duane Floch | .. | previsualization supervisor |
Shawn Florchak | .. | visual effects assistant |
Rémi Fontan | .. | shader writer: Weta Digital |
Michael Forot | .. | creature technical director: Weta Digital |
Ludovic Fouche | .. | senior camera td |
Nikki Fraei | .. | visual effects facilities coordinator: Weta Digital |
Richard Frances-Moore | .. | previs supervisor: Weta Digital |
Rod Fransham | .. | lead body mocap technician: first unit, Weta Digital |
Guillaume François | .. | shader writer: Weta Digital (as Francois Guillaume) |
Nick Fredin | .. | animator: Weta Digital (as Nocholas Fredin III) |
Garrett Fry | .. | matte painter: Weta Digital |
Johan Fröjd | .. | motion editor: Weta Digital |
Anthony Fung | .. | visual effects artist |
Nick Gabchenko | .. | shader writer: Weta Digital (as Nikolay Gabchenko) |
Kenneth Garcia | .. | lighting technical director: Weta Digital |
Nicholas Gaul | .. | lead fur groomer: Weta Digital |
Mark Gee | .. | lead lighting technical director: Weta Digital |
F. Gendron | .. | lighting technical director: Weta Digital (as Francois Gendron) |
Francois Gendron | .. | lighting artist |
Chris George | .. | shader writer: Weta Digital (as Christopher George) |
Yannick Gillain | .. | creature technical director: Weta Digital |
Jen Gillespie | .. | technology coordinator: Weta Digital |
Magali Gillon-Krizaj | .. | additional visual effects assistant: Canada (as Magali Gillon) |
Kenneth Gimpelson | .. | shots r&d technical director: Weta Digital (as Kenneth C. Gimpelson) |
Kiril Gizdov | .. | compositor: Atomic Arts |
Evgeny Glazyrin | .. | creature technical director: Weta Digital |
Peter Godden | .. | lead layout technical director: Weta Digital |
Diana Godo | .. | visual effects production runner: Weta Digital (as Diana Good) |
Thomas Goldblatt | .. | creature technical director: Weta Digital |
Daniel Gonzalez | .. | texture artist: Weta Digital |
Sergio A. Gonzalez | .. | motion editor: Weta Digital (as Sergio Gonzalez) |
Demian Gordon | .. | motion capture supervisor: second unit, Weta Digital |
David Gouge | .. | visual effects head of marketing: Weta Digital |
Agnes Gould | .. | senior paint and rotoscope artist: Weta Digital |
David Gould | .. | creature technical director: Weta Digital |
Nick Grace | .. | creature technical director: Weta Digital |
Elizabeth Gray | .. | animator: Weta Digital |
Tom Greally | .. | visual effects general manager: Weta Digital |
Tom Greene | .. | animation coordinator: Weta Digital |
John Griffith | .. | pre-visualization director |
Jason Grindlay | .. | systems and technical support: Weta Digital |
Eitan Grinspun | .. | research and development: Weta Digital |
Greg Groenekamp | .. | lead and senior compositor: Weta Digital |
Martin Groezinger | .. | senior layout technical director: Weta Digital (as Martin Grözinger) |
Matthew Grueber | .. | creature technical director: Weta Digital |
Kathy Gruzas | .. | cio: Weta Digital |
Leonhard Grünschloß | .. | research and development: Weta Digital |
Rebs Guarina | .. | systems and technical support: Weta Digital |
Signy Bjorg Gudlaugsdottir | .. | modeler: Weta Digital (as Signý Björg Gublaugssóttir) |
Mike Gunn | .. | visual effects facilities manager: Weta Digital |
Paul Gunn | .. | systems and technical support: Weta Digital |
Claire Hackett | .. | creature technical director: Weta Digital |
Bassim Haddad | .. | lead and senior motion editor: Weta Digital |
Mark Haenga | .. | lead and senior facial modeler: Weta Digital |
Tim Haigh | .. | motion capture stage assistant: Weta Digital |
Ben Hall | .. | systems and technical support: Weta Digital |
Simon Halpern | .. | previsualization artist |
Nick Hamilton | .. | creature technical director: Weta Digital |
David Hampton | .. | effects department manager: Weta Digital |
Johannes Hanika | .. | research and development: Weta Digital |
Jayse Hansen | .. | screen graphics designer |
Rachel Faith Hanson | .. | visual effects coordinator |
Joshua Hardgrave | .. | facial tracker: Weta Digital |
Stacy Harding | .. | visual effects production runner: Weta Digital |
Yoshihiro Harimoto | .. | creature technical director: Weta Digital |
Adam Harriman | .. | camera technical director: Weta Digital |
Michael Harrison | .. | digital compositor |
Toby Haruno | .. | senior animator: Weta Digital (as Toby M. Haruno) |
Ben Hatton | .. | visual effects editor: Weta Digita; |
Kelly Haysom | .. | sequence coordinator: Weta Digital |
G.G. Heitmann Demers | .. | lead and senior compositor: Weta Digital (as G.G. Heitmann) |
Quentin Hema | .. | paint supervisor: Weta Digital |
Allan Henderson | .. | lighting technical director: Weta Digital |
Joe Henderson | .. | previz artist |
Patrick Henry | .. | witness reference lead: first unit, Weta Digital |
Rachel Herbert | .. | layout technical director: Weta Digital (as Rachel E. Herbert) |
Jon Hertzig | .. | research and development: Weta Digital |
Afif Heukeshoven | .. | camera technical director: Weta Digital |
Dean Hewison | .. | visual effects asset coordinator: Weta Digital |
Tim Hey | .. | lead and senior compositor: Weta Digital (as Timothy Hey) |
Matthew Hicks | .. | lighting technical director: Weta Digital |
Anna Hill | .. | camera technical director: Weta Digital |
Erin Hill | .. | animation coordinator: Weta Digital |
Martin Hill | .. | senior shader writer: Weta Digital |
Peter Hillman | .. | software developer: Weta Digital |
Christian Hipp | .. | software developer: Weta Digital |
Kazu Hiro | .. | 'Caesar' concept artist (as Kazuhiro Tsuji) / 'Caesar' scan head artist (as Kazuhiro Tsuji) |
Timothy Hoffman | .. | senior lighting technical director: Weta Digital (as Tim Hoffman) |
Chad Hofteig | .. | pre-visualization artist |
Matt Holland | .. | lead and senior compositor: Weta Digital |
Robin Hollander | .. | lead and senior compositor: Weta Digital |
Jeremy Hollobon | .. | animation technical director: Weta Digital |
Mark L. Holmes | .. | motion editor: Weta Digital |
Matt Holmes | .. | supervising visual effects editor: Weta Digital |
Teijo Holzer | .. | production engineer: Weta Digital |
Tom Holzinger | .. | lead and senior motion editor: Weta Digital |
John Homer | .. | lead creature technical director: Weta Digital |
David Houghton-Williams | .. | compositing supervisor: Weta Digital (as David Houghton Williams) |
Katie Houston | .. | creatures coordinator: Weta Digital |
Sandy Houston | .. | rotoscope supervisor: Weta Digital |
Susan Howard | .. | software developer: Weta Digital |
Francis Hsu | .. | senior texture artist: Weta Digital |
Florian Hu | .. | visual effects technical director: Weta Digital |
Nikki Hughes | .. | senior texture artist: Weta Digital (as Nikki Hayley-Hughes) |
Sherryn Hunt | .. | visual effects recruitment assistant: Weta Digital (as Sherryn Matthews) |
Radford Hurn | .. | creature technical director: Weta Digital |
Chris Husson | .. | lighting technical director: Weta Digital |
Ryan Hutchings | .. | senior paint and rotoscope artist: Weta Digital |
Rachel Hydes | .. | motion editor: Weta Digital |
Cajun Hylton | .. | modeler: Weta Digital |
Corrado Ianiri | .. | motion capture editor: Weta Digital |
Nikolay Ilinov | .. | creature technical director: Weta Digital |
Changeui Im | .. | lighting technical director: Weta Digital |
Andreas Jablonka | .. | compositor: Weta Digital |
Ian Jack | .. | visual effects accountant: Weta Digital |
Myles Jackson | .. | shots r&d technical director: Weta Digitals (as Myles Elliott Jackson) |
Mel James | .. | senior texture artist: Weta Digital |
Malik Jayawardena | .. | motion capture operator: first unit, Weta Digital |
Paul Jenness | .. | lead modeler: Weta Digital |
Bradley John | .. | layout technical director: Weta Digital |
Michael Johns | .. | render wrangler: Weta Digital |
Jeff A. Johnson | .. | lighting technical director: Weta Digital |
Nathan Johnson | .. | lighting technical director: Weta Digital |
Danny Jones | .. | senior paint and rotoscope artist: Weta Digital |
Dave Jones | .. | visual effects purchasing officer: Weta Digital |
Michael P. Jones | .. | software developer: Weta Digital |
Henrik Jonsson | .. | 3d artist, Atomic Arts |
Vanessa Joyce | .. | visual effects production manager: Weta Digital |
Simon Jung | .. | compositing supervisor: Weta Digital |
Kory Juul | .. | compositor: Weta Digital (as Kory Martin Juul) |
Sandip Kalsy | .. | lead lighting technical director: Weta Digital |
Miae Kang | .. | lead lighting technical director: Weta Digital |
Matthew Kapfhammer | .. | motion editor: Weta Digital |
Kaveh Kardan | .. | research and development: Weta Digital |
Mike Kelly | .. | camera technical director: Weta Digital |
Patrick Keogh | .. | facial tracker: Weta Digital |
Tessa Kershaw | .. | visual effects runner and events coordinator: Weta Digital |
Anthar Kharana | .. | compositor: Atomic Arts |
Yasmin Khudari | .. | facial modeler: Weta Digital |
Christian Kickenweitz | .. | motion editor: Weta Digital |
Sigtor Kildal | .. | motion capture operator: second unit, Weta Digital / motion editor: Weta Digital |
Ben Kilgore | .. | creature technical director: Weta Digital |
John Kilkenny | .. | visual effects executive |
Ki-Hyun Kim | .. | motion editor: Weta Digital |
Heather Kinaston-Smith | .. | visual effects accounts assistant: Weta Digital |
Joel Kittle | .. | previs artist |
Dorian Knapp | .. | animator: Weta Digital |
Mark Kobrin | .. | facial modeler: Weta Digital |
Michael Kokich | .. | render wrangler: Weta Digital |
Sergei Koudriautsev | .. | senior camera technical director: Weta Digital |
Makoto Koyama | .. | senior animator: Weta Digital |
Lonnie Kraatz | .. | lead creature technical director: Weta Digital |
Alex Kramer | .. | senior camera technical director: Weta Digital |
Lars Kramer | .. | camera technical director: Weta Digital |
Dmitri Krasnokoutski | .. | shader writer: Weta Digital |
Jan Kruse | .. | compositor: Weta Digital |
John Kubiak | .. | previs artist: Blind Squirrel Digital |
Fryderyk Kublikowski | .. | motion capture production coordinator: Weta Digital |
Dave Kujawski | .. | production engineer: Weta digital |
Martin Kulig | .. | camera technical director: Weta Digital |
Paul Kulikowski | .. | compositor: Weta Digital |
Ayako Kuroda | .. | visual effects technical director: Weta Digital |
Todd Labonte | .. | senior animator: Weta Digital |
Keith Lackey | .. | animation technical director: Weta Digital |
Genevieve Lacombe | .. | lighting technical director: Weta Digital |
Laure Lacroix | .. | lead and senior compositor: Weta Digital |
Kenny Lam | .. | compositor: Weta Digital (as Ken Lam) |
Andrew Lambert | .. | technical support lead: Weta Digital / technical support lead: weta digital |
Nathaniel Lane | .. | lighting technical director: Weta Digital |
Charlotte Laney | .. | creatures coordination: Weta Digital |
Michael Lanzensberger | .. | compositor: Weta Digital |
Mathias Larserud | .. | shader writer: Weta Digital |
Shandy Lashley | .. | additional visual effects coordinator: Canada |
Rachel Laurenson | .. | paint and rotoscope artist: Weta Digital |
Luisma Lavin | .. | lead and senior motion editor: Weta Digital |
Jason Lazaroff | .. | lead and senior visual effects technical director: Weta Digital |
David Leach | .. | systems and technical support: Weta Digital |
James Leaning | .. | software developer: Weta Digital |
Alison Learned Wolf | .. | visual effects editor: Weta Digital (as Alison Learned-Wolf) |
Evelyne Leblond | .. | compositor: Weta Digital |
Isabelle Leduc | .. | assistant mocap coordinator: Canada |
Alexander K. Lee | .. | animator: Weta Digital (as Alexander Lee) |
Seong Kyun Lee | .. | visual effects technical director: Weta Digital |
Carmelo Leggiero | .. | animator: Weta Digital |
Simon Legrand | .. | visual effects technical director: Weta Digital (as Simon LeGrand) |
Leo Leiner | .. | motion capture setup: first unit, Weta Digital |
Dan Lemmon | .. | visual effects supervisor |
Iva Lenard | .. | senior reference photographer: Weta Digital |
Mark Leone | .. | research and development: Weta Digital |
Fabio Leporelli | .. | model groomer: Weta Digital / vfx lead artist |
Joe Letteri | .. | senior visual effects supervisor |
Dean Lewandowski | .. | layout technical director: Weta Digital |
J.P. Lewis | .. | r&d supervisor: Weta Digital |
Carlos Lin | .. | creature technical director: Weta Digital |
Mingzhi Lin | .. | senior lighting technical director: Weta Digital (as Mingzhi Victor Lin) |
Randy Link | .. | animator: Weta Digital |
Benjamin Liu | .. | previs artist |
Chishan Liu | .. | lighting technical director: Weta Digital |
Wendy Lloyd | .. | research and development: Weta Digital |
EungHo Lo | .. | fur/hair artist: Weta Digital (as Eung Ho Lo) / modeler: Weta Digital (as Eung Ho Lo) |
Thomas Sing Wai Lo | .. | modeler: Weta Digital (as Thomas Lo) |
Jason Locke | .. | camera technical director: Weta Digital |
Daniel Lond | .. | software developer: Weta Digital |
Nick Long | .. | systems and technical support: Weta Digital |
Sophie Lord | .. | paint and rotoscope artist: Weta Digital |
Jade Lorier | .. | motion editor: Weta Digital |
Blaine Lougheed | .. | visual effects coordinator |
Jennifer Loughnan | .. | compositing production manager: Weta Digital |
Ruth-Anne Loveridge | .. | modeler: Weta Digital |
Daniel Lowenberg | .. | camera technical director: Weta Digital |
David Luke | .. | facial mocap recordist: second unit, Weta Digita; |
Ben Lumsden | .. | motion capture body technician: first unit, Weta Digital |
Brooke Lyndon-Stanford | .. | visual effects supervisor: Atomic Arts |
Daniel Macarin | .. | lead lighting technical director: Weta Digital |
Frank Macfarlane | .. | animation production manager: Weta Digital |
Sam Maclennan | .. | render wrangler: Weta Digital |
Merlin Bela Wassiij Maertz | .. | animator: Weta Digital |
Allan Magled | .. | visual effects supervisor: Soho VFX |
Oleg Magrisso | .. | creature technical director: Weta Digital |
Alastair Maher | .. | texture artist: Weta Digital |
Kate Makarow | .. | witness reference assistant: first unit, Weta Digital |
Mary E. Manning | .. | pre-visualization lead: Pixel Liberation Front |
Jade Mansueto | .. | shader writer: Weta Digital |
Jason Marlow | .. | camera technical director: Weta Digital |
John Marnewick | .. | camera technical director: Weta Digital |
Shaun Marnewick | .. | camera technical director: Weta Digital |
Jan Maroske | .. | compositor: Weta Digital |
Nic Marrison | .. | shader writer: Weta Digital |
John Martin | .. | character technical director |
Daniel Marwick | .. | visual effects building maintenance coordinator: Weta Digital |
Jaydene Maryk | .. | additional visual effects coordinator: Canada |
Ray Massa | .. | facial mocap recordist: first unit, Weta Digital (as Raymond L. Massa) |
Kirk Mawhinney | .. | facial modeler: Weta Digital (as Kirk G. Mawhinney) |
John Mayhew | .. | motion capture pipeline manager: second unit, Weta Digital |
Neil Mayo | .. | editorial team: Weta Digital |
David McCormick | .. | creature technical director: Weta Digital |
Bradley McFlinn | .. | production runner: weta digital (as Brad McFlinn) / visual effects production runner: Weta Digital (as Brad McFlinn) |
Steve McGee | .. | compositor: Weta Digital / lighting technical director |
Steve McGillen | .. | compositor: Weta Digital |
Peter James McGrattan | .. | systems and technical support: Weta Digital |
Matt McGuinness | .. | paint and rotoscope artist: Weta Digital |
Anthony McIndoe | .. | animator: Weta Digital |
Jeremy McKenzie | .. | layout technical director: Weta Digital (as Jeremy Ball) |
Nick McKenzie | .. | shots r&d supervisor: Weta Digital |
Richard McKenzie | .. | render wrangler: Weta Digital |
Nigel McKissock | .. | textures department manager: Weta Digital (as Nige McKissock) |
Steve McLafferty | .. | post-viz artist |
Chloe McLean | .. | motion editor: Weta Digital |
Tristan McMahon | .. | systems and technical support: Weta Digital |
Brian McMillin | .. | camera technical director: Weta Digital |
Donal McMullan | .. | production engineer: Weta Digital |
Renton McNeill | .. | render wrangler: Weta Digital |
Louise McNicholl | .. | layout department coordinator: Weta Digital |
Mark McNicholl | .. | lighting technical director: Weta Digital |
Ross McWhannell | .. | systems and technical support: Weta Digital |
Tom Meade | .. | animation technical director: Weta Digital (as Thomas Meade) |
James Meikle | .. | visual effects editor: Weta Digital |
Neal Melancon | .. | witness reference lead: second unit, Weta Digital |
Ronnie Menahem | .. | visual effects technical director: Weta Digital |
Kim Menaster | .. | previs coordinator: Pixel Liberation Front / visual effects coordinator: Pixel Liberation Front |
Martin L. Mercer | .. | visual effects storyboard artist |
Andrea Merlo | .. | creatures simulation supervisor: Weta Digital |
Miklós Mesterházy | .. | lighting technical director: Weta Digital (as Miklos Mesterhazy) |
Orlando Meunier | .. | animator: Weta Digital |
Christoph Meyer | .. | senior creature technical director |
Barbara Meyers | .. | lighting technical director: Weta Digital |
John Meyers | .. | visual effects assistant |
Goran Milic | .. | motion capture technical director: Weta Digital |
Jessica Millar | .. | lighting technical director: Weta Digital |
Tobin Millen | .. | render wrangler: Weta Digital |
Ron E.J. Miller | .. | creature facial lead technical director: Weta Digital |
Seth F. Miller | .. | senior paint and rotoscope artist: Weta Digital |
Chris Millett | .. | visual effects production runner: Weta Digital |
Adrian Millington | .. | animator: Weta Digital |
Amy Minty | .. | visual effects production assistant: Weta Digital |
Perry Miotto | .. | witness reference assistant: second unit, Weta Digital |
Saki Mitchell | .. | lead and senior compositor: Weta Digital |
Mahito Mizobuchi | .. | previs/postvis animator |
Andrew Moffett | .. | previs artist |
Chad Moffitt | .. | animator |
Terry Molatore | .. | senior texture artist: Weta Digital |
Dejan Momcilovic | .. | motion capture supervisor: Weta Digital |
Alberto Montañés | .. | compositor: Weta Digital |
James Moore | .. | modeler: Weta Digital |
Richard John Moore | .. | creature technical director: Weta Digital |
Eileen Moran | .. | visual effects executive producer: Weta Digital |
Ben Morgan | .. | compositor: Weta Digital |
Simon Dean Morley | .. | production engineer: Weta Digital (as Simon Morley) |
Carla Morris | .. | research and development: Weta Digital |
Zac Morris | .. | compositor / compositor: Weta Digital |
Bo Mosley | .. | modeler: Weta Digital |
Chris Moss | .. | motion editor: Weta Digital |
Daniel Moy | .. | modeler: Weta Digital (as Daniel Goncalves Moy) |
Alessandro Mozzato | .. | senior lighting technical director: Weta Digital |
Matt Mueller | .. | senior on-set visual effects technical director: Weta Digital |
Yvonne Muinde | .. | matte painting hod: Weta Digital |
Nicky Muir | .. | animation production manager: Weta Digital |
Arwen Munro | .. | layout department manager: Weta Digital |
Matthew Muntean | .. | creatures supervisor: Weta Digital |
Daryl Munton | .. | lighting technical director: Weta Digital |
Laura Murillo | .. | senior paint and rotoscope artist: Weta Digital |
Ben Murray | .. | motion capture supervisor: first unit, Weta Digital |
Jun Zee Myers | .. | animator: Weta Digital |
Alfred Mürrle | .. | lead and senior compositor: Weta Digital / lighting technical director: Weta Digital |
Kiyoyuki Nakagaki | .. | senior software developer: Weta Digital |
Daniel Naughton | .. | lighting technical director: Weta Digital (as Dan Naughton) |
Tony Neal | .. | 3d artist, Atomic Arts |
C. Michael Neely | .. | previs supervisor: Blind Squirrel Digital |
Tim Nicholas | .. | systems and technical support: Weta Digital |
Wolfgang Niedermeier | .. | lead camera technical director: Weta Digital |
Bryce Nielsen | .. | visual effects production manager |
Michael B. Nielsen | .. | research and development: Weta Digital |
Ben Nightingale | .. | texture artist: Weta Digital |
Peti Nohotima | .. | matte painting manager: Weta Digital |
Keven Norris | .. | lead texture artist: Weta Digital |
Greg Notzelman | .. | texture artist: Weta Digital |
Alexander Nowotny | .. | visual effects technical director: Weta Digital (as Alex Nowotny) |
Anders Nyman | .. | lighting technical director: Weta Digital |
Pete O'Connell | .. | compositor: Weta Digital |
Cyndi Ochs | .. | visual effects producer: Weta Digital |
Mike Ocoboc | .. | compositor: Weta Digital (as Michael Ocoboc) |
James Ogle | .. | lead modeler: Weta Digital |
Anton Ognyev | .. | visual effects technical director: Weta Digital |
Grant Okita | .. | main title designer: Picture Mill |
Tyler Olson | .. | motion capture setup: second unit, Weta Digital (as Tyler Olsen) / motion capture technician |
Brandon Onstott | .. | shader writer: Weta Digital |
Benjamin Orange | .. | systems and technical support: Weta Digital |
Sasha Ortega | .. | sequence coordinator: Weta Digital |
David A. Ostler | .. | lighting technical director: Weta Digital |
Filippo Paganoni | .. | render wrangler: Weta Digital |
Michael Paget | .. | layout technical director: Weta Digital |
Sathyan Panneerselvam | .. | animator: Weta Digital |
John Papafotiou | .. | lighting technical director / lighting technical director: Weta Digital |
Jonathan Paquin | .. | animator: Weta Digital |
Rodrigo Carcamo Parga | .. | motion capture setup: second unit, Weta Digital |
Andrew Park | .. | animator: Weta Digital |
Helen Paul | .. | lighting technical director / senior compositor |
Mitch Paulson | .. | digital colorist |
Stephen J. Pavelski | .. | previsualization artist |
Carlos Pedroza | .. | lead previs artist |
Hannah Peirce | .. | compositor: Weta Digital |
Angelica Perez | .. | compositor: Weta Digital |
Mike Perry | .. | digital effects supervisor: Weta Digital |
Ron Perry | .. | motion capture setup: second unit, Weta Digital (as Ronald Perry) |
Patrick Peterson | .. | layout technical director: Weta Digital |
Shaun Peyman | .. | lighting technical director: Weta Digital |
David Phillips | .. | lead and senior compositor: Weta Digital |
Shosh Phillips | .. | visual effects production runner: Weta Digital |
Timothy Pick | .. | systems and technical support: Weta Digital |
Carles Piles | .. | texture artist: Weta Digital |
Teresa Alvarez Pino | .. | creature technical director: Weta Digital |
Danila Pogalov | .. | lighting technical director: Weta Digital |
Ron Pogue | .. | visual effects coordinator |
Bruno Pollet | .. | lead and senior motion editor: Weta Digital |
Jessica Ponte | .. | textures coordinator: Weta Digital |
Joshua Poole-Gotto | .. | compositor: Atomic Arts (as Josh Gotto) |
Tylah Pratt | .. | visual effects production runner: Weta Digital |
Sam Prebble | .. | creature technical director: Weta Digital |
Thomas Prebble | .. | systems and technical support: Weta Digital |
Alan Precourt | .. | lighting technical director: Weta Digital |
Niklas Preston | .. | modeler: Weta Digital |
Matthew Provost | .. | visual effects systems manager: Weta Digital |
Robin Prybil | .. | visual effects executive: Weta Digital |
Lucas Putnam | .. | visual effects editor: Weta Digital |
Simon Quach | .. | motion editor: Weta Digital |
Inge Rademeyer | .. | visual effects travel coordinator: Weta Digital |
Ula Rademeyer | .. | lead texture artist: Weta Digital |
Paul Raeburn | .. | compositor: Weta Digital |
Kade Ramsey | .. | paint and rotoscope artist: Weta Digital |
Troy Ramsey | .. | senior paint artist: Weta Digital |
Shane Rangi | .. | visual effects production runner: Weta Digital |
Ellen Rappenecker | .. | facial motion editor: Weta Digital |
Andres Rascon | .. | compositor: Weta Digital |
Craig Douglas Rattray | .. | paint and rotoscope artist: Weta Digital |
Jen N. Ray | .. | previs artist: Blind Squirrel Digital |
Paul Redican | .. | compositor: Weta Digital |
Chris Reece | .. | systems and technical support: Weta Digital |
Greg Reed | .. | assistant visual effects editor |
Phillip Reed | .. | data resource coordinator: Weta Digital |
Saul Reid | .. | lighting technical director: Weta Digital |
Leigh H. Rens | .. | previs animator |
Marco Revelant | .. | models supervisor: Weta Digital |
Thomas Revill | .. | layout technical director: Weta Digital |
Eric Reynolds | .. | animation supervisor: Weta Digital |
Nicholas Richter | .. | senior motion editor: Weta Digital |
Kim Rickard | .. | visual effects recruitment consultant: Weta Digital |
Grant Roa | .. | visual effects production runner: Weta Digital |
Clarence 'Boola' Robello | .. | animation lead (as Clarence Robello) |
Paul-George H. Roberts | .. | software developer: Weta Digital |
Cesar Rodriguez Bautista | .. | digital paint artist: Weta Digital / senior paint and rotoscope artist: Weta Digital |
Ryan Rogers | .. | lighting technical director: Weta Digital |
Kevin Romond | .. | effects supervisor: Weta Digital |
Elliot Rosenstein | .. | model groomer: Weta Digital |
Stephen Roucher | .. | digital imaging technician: Weta Digital |
Sam Rowan | .. | modeler: Weta Digital |
Luaan Ruaine | .. | visual effects facilities coordinator: Weta Digital |
Jance Rubinchik | .. | lead animator: Weta Digital |
Frank Rueter | .. | lead and senior compositor: Weta Digital (as Frank Rüter) |
Jesús Ruiz Torres | .. | motion editor: Weta Digital (as Jesus Ruiz Rorres) |
Bill Ryder | .. | systems and technical support: Weta Digital |
Marilyn Ryder | .. | visual effects housing coordinator: Weta Digital |
Jalil Sadool | .. | lead animator: Weta Digital |
Mark Sagar | .. | special projects supervisor: Weta Digital |
Karim Sahai | .. | lead and senior compositor: Weta Digital |
Christoph Salzmann | .. | compositing supervisor: Weta Digital |
Adrian Samuels | .. | data resource manager: Weta Digital |
Ben Sanders | .. | animator: Weta Digital |
Kyle Sandilands | .. | witness reference: first unit, Weta Digital |
Mahria Sangster | .. | lighting production manager: Weta Digital |
Victor Sanz Fernandez | .. | texture artist: Weta Digital |
Michael Sarkis | .. | senior on-set visual effects technical director: Weta Digital |
Daryl Sawchuk | .. | previsualization supervisor: The Moving Picture Company |
Jeremy Schichtel | .. | facial mocap technician: second unit, Weta Digital (as Jeremy Schichtek) |
Caterina Schiffers | .. | compositor: Weta Digital / texture artist: weta digital |
Sebastian H. Schmidt | .. | visual effects technical director: Weta Digital |
Jennifer Schoo | .. | systems and technical support: Weta Digital |
Marcus Schoo | .. | software developer: Weta Digital |
Florian Schroeder | .. | compositor: Weta Digital |
Jens Schwarz | .. | lead creature technical director: Weta Digital |
Rob Sclater | .. | shots r&d technical director: Weta Digital |
David Scott | .. | lead compositor: Weta Digital |
Kristin Sedore | .. | lighting td |
Brad Selkirk | .. | facial tracker: Weta Digital |
Carsten Seller | .. | animator: Weta Digital |
Keith Sellers | .. | lead compositor: Soho VFX |
Paolo Emilio Selva | .. | software developer: Weta Digital |
Paul Seyb | .. | motion editor: Weta Digital |
Amir Shachar | .. | shader writer: Weta Digital |
Thrain Shadbolt | .. | digital effects supervisor: Weta Digital |
Behnam Shafiebeik | .. | compositor: Weta Digital |
Sally Shanahan | .. | visual effects contracts coordinator: Weta Digital |
Amy Shand | .. | it production manager: Weta Digital |
Glen Sharah | .. | senior shader writer: Weta Digital |
Sam Sharplin | .. | modeler: Weta Digital |
Aurynn Shaw | .. | production engineer: Weta Digital |
Martin Shelton | .. | r&d project manager: Weta Digital |
Dean Sherriff | .. | visual effects storyboard artist |
Kevin L. Sherwood | .. | on-set visual effects production manager: Weta Digital |
Tomoko Shin | .. | compositor: Weta Digital |
Jennifer Shoesmith | .. | modeler: Weta Digital |
Robert Shrider | .. | senior shader writer: Weta Digital |
Poppy Sinclair-Lockhart | .. | production assistant: Weta Digital |
Chrystia Siolkowsky | .. | motion editor: Weta Digital |
Gershom Sissing | .. | modeler: Weta Digital |
Anna Sitjà | .. | texture artist: Weta Digital (as Anna Sitja Mir) |
Navin Sk | .. | render wrangler: Weta Digital |
Brett Skinner | .. | texture artist: Weta Digital |
Kim Slattery | .. | shaders coordinator: Weta Digital |
Matt Sloan | .. | facial mocap technician: first unit, Weta Digital |
Nik Slotiuk | .. | previs artist |
Howard Sly | .. | facial modeler: Weta Digital |
Layne Small | .. | render wrangler: Weta Digital |
Lori Smallwood | .. | animation technical director: Weta Digital |
Stephen Smart | .. | render wrangler: Weta Digital |
Adam Brett Smith | .. | motion editor: Weta Digital (as Adam Smith) |
Cole Smith | .. | models coordinator: Weta Digital |
Daniel Jacob Smith | .. | shots r&d technical director: Weta Digital (as Daniel Smith) |
Jeremy Smith | .. | visual effects technical director: Weta Digital |
Kevin Andrew Smith | .. | shader writer: Weta Digital (as Kevin Smith) |
Marc Smith | .. | camera technical director: Weta Digital (as Marc J. Smith) |
Mark Smith | .. | animator: Weta Digital |
Sean Snyders | .. | motion capture production engineer: Weta Digital |
Perry Hyunwoo Sohn | .. | camera technical director: Weta Digital |
John Sore | .. | lead animator: Weta Digital |
Eric Soulvie | .. | software developer: Weta Digital |
Tom Southall | .. | sequence coordinator: Weta Digital |
Jonas Sperl | .. | layout technical director: Weta Digital |
Doug Spilatro | .. | visual effects |
Holger Spill | .. | shader writer: Weta Digital |
Christoph Sprenger | .. | head of effects r&d: Weta Digital |
Ryan Stafford | .. | associate visual effects producer |
Brett Stapleton-French | .. | compositor: Weta Digital (as Brett Dix) |
Cam Steel | .. | systems and technical support: Weta Digital |
Justin Steel | .. | modeler: Weta Digital |
Albrecht Steinmetz | .. | lead camera technical director: Weta Digital |
Grace Stephens | .. | texture artist: Weta Digital |
Mark Stern | .. | visual effects production executive: Lola Visual Effects |
John Stevenson-Galvin | .. | senior modeler: Weta Digital |
Eric Stewart | .. | visual effects |
Matteo Stirati | .. | facial modeler: Weta Digital |
Bobby Stockport | .. | visual effects artist |
Justin Stockton | .. | layout technical director: Weta Digital |
Rosalind Stratton | .. | layout technical director: Weta Digital |
Petra Stueben | .. | texture artist: weta digital |
Jesse Sturdy | .. | witness reference: second unit, Weta Digital |
Francois Sugny | .. | visual effects technical director: Weta Digital |
Richard Sur | .. | lighting technical director: Weta Digital |
Sandy Sutherland | .. | visual effects technical director: Weta Digital |
Malino Suzuki | .. | lead and senior motion editor: Weta Digital |
Masaya Suzuki | .. | senior texture artist: Weta Digital |
Raqi Syed | .. | lighting technical director: Weta Digital |
Sebastian Sylwan | .. | chief technology officer: Weta Digital |
Peter Syomka | .. | lead and senior facial modeler: Weta Digital |
Gaku Tada | .. | lead lighting technical director: Weta Digital |
Giuseppe Tagliavini | .. | compositor: Weta Digital |
Charles Tait | .. | compositing supervisor: Weta Digital |
Michael Takarangi | .. | visual effects production runner: Weta Digital |
Eric Tang | .. | lead creature technical director: Weta Digital |
Anne Taunga | .. | motion edit department manager: Weta Digital |
Jochen Tautges | .. | research and development: Weta Digital |
Andrew Taylor | .. | shader writer: Weta Digital (as Andrew R. E. Taylor) |
Sandy Taylor | .. | camera department manager: Weta Digital (as Sandy Coco Taylor) |
Sompong Teekasathien | .. | modeler: Weta Digital |
Sunny Teich | .. | lead creature technical director: Weta Digital |
Felix Telfer | .. | visual effects technical director: Weta Digital |
Eteuati Tema | .. | lead facial motion edtior: WETA Digital |
Chris Templeman | .. | paint and rotoscope artist: Weta Digital |
Tim Teramoto | .. | creature technical director: Weta Digital |
Ali Tezel | .. | previs animator |
Amy Thomas | .. | assistant technical director |
Craig Thomas | .. | visual effects production runner: Weta Digital |
Shannon Thomas | .. | senior modeler: Weta Digital |
Ben Thompson | .. | senior lighting technical director: Weta Digital |
Phyo Thu | .. | facial tracker: Weta Digital |
Jonas Thörnqvist | .. | modeler |
Edwina Ting | .. | animator: Weta Digital |
Pär Tingström | .. | digital modeler |
Vladimir Tkachenko | .. | visual effects technical director: Weta Digital |
Philip To | .. | animator: Weta Digital |
Geoff Tobin | .. | lead massive technical director: Weta Digital |
Glenn Tocher | .. | render wrangler: Weta Digital |
Audrea Topps Harjo | .. | creatures department manager: Weta Digital (as Audrea Topps-Harjo) |
Chris Tost | .. | animator: Weta Digital |
Daniele Tosti | .. | lead lighting technical director: Weta Digital |
Mariko Tosti | .. | shaders coordinator: Weta Digital |
Adrien Toupet | .. | visual effects technical director: Weta Digital |
Diego Trazzi | .. | lead and senior visual effects technical director: Weta Digital |
Sebastian Trujillo | .. | animator: Weta Digital |
Keith Patrick Turner | .. | previs artist |
Natasha Turner | .. | vusial effects publicity coordinator: Weta Digital |
Brent Tyler | .. | previs artist |
Jon Tyler | .. | lead and senior motion editor: Weta Digital (as Jonathon Tyler) |
Miquel Ubeda | .. | compositor: Weta Digital |
Riaan Underwood | .. | creature technical director: Weta Digital |
Ryan Valade | .. | visual effects editor: Image Engine |
James Van Der Reyden | .. | motion capture studio technical director: Weta Digital |
Phil Van Der Reyden | .. | modeler: Weta Digital |
Adrien Van Viersen | .. | visual effects storyboard artist |
Kara Vandeleur | .. | texture artist: Weta Digital |
John Vassallo | .. | animator |
Amy Vatanakul | .. | pre-visualization artist |
Jenny Vial | .. | visual effects housing coordinator: Weta Digital |
Marco Vidaurre | .. | creature technical director: Weta Digital |
Andreja Vuckovic | .. | digital modeler: weta digital |
Sean Noel Walker | .. | lead lighting technical director: Weta Digital |
Brenda R. Wallace | .. | production engineer: Weta Digital (as Brenda Wallace) |
Ange Waller | .. | visual effects contracts manager: Weta Digital |
Kelly Walsh | .. | lighting technical director: Weta Digital |
Gwyneth Walton | .. | modeler: Weta Digital |
Brian Ward | .. | animator: Weta Digita; |
Martin Ward | .. | render wrangler: Weta Digital |
Tim Ward | .. | lighting technical director: Weta Digital |
Matt Weaver | .. | animator |
Romy Webster | .. | visual effects production runner: Weta Digital |
Shraga Weiss | .. | facial modeler: Weta Digital |
Pete Wellington | .. | information systems |
Kenneth Wells | .. | systems and technical support: Weta Digital |
Ari Wheoki | .. | visual effects assistant purchasing officer: Weta Digital |
R. Christopher White | .. | visual effects supervisor: Weta Digital |
Cameron Widen | .. | previsualization supervisor: Image Engine |
Lisa Wildermoth | .. | motion capture production manager: Weta Digital |
Ed Wilkie | .. | creature technical director: Weta Digital |
Joseph Wilkie | .. | wrangler manager: Weta Digital (as Joe Wilkie) |
Alicia Williams | .. | visual effects relocation manager: Weta Digital |
Clare Williams | .. | animator: Weta Digital |
Gavin Williams | .. | motion editor: Weta Digital |
Kevin J. Williams | .. | previs artist |
Pete Williams | .. | digital imaging hod: Weta Digital |
James Willingham III | .. | animator: Weta Digital |
Nicholas Wilson | .. | lead and senior groomer: Weta Digital |
Stephen Wilson | .. | compositor: Weta Digital |
Tracey Wilson | .. | visual effects storyboard artist |
Greg Wilton | .. | massive technical director: Weta Digital (as Gregory N. Wilton) |
Erik Winquist | .. | visual effects supervisor: Weta Digital |
Chris Winter | .. | systems and technical support: Weta Digital |
Teresa Winters | .. | layout technical director: Weta Digital (as Teresa L. Hooper) |
Jedrzej Wojtowicz | .. | shaders supervisor: Weta Digital |
Brian Wolf | .. | compositor: Weta Digital |
Carolyn Wong | .. | creature technical director |
Jasmine Wong | .. | texture artist: Weta Digital |
Paul Marcus Wong | .. | sequence coordinator: Weta Digital |
Roger Wong | .. | creature technical director: Weta Digital |
Ross Woo | .. | assistant visual effects coordinator: Canada |
Clare Woodford-Robinson | .. | modeler: Weta Digital |
Michael Wortmann | .. | visual effects technical director: Weta Digital |
Andy Wright | .. | render wrangler: Weta Digital |
David Wright | .. | visual effects manager finance and corporate services: Weta Digital |
Marta Wysocka | .. | modeler: Weta Digital |
Piotr Fox Wysocki | .. | senior texture artist: Weta Digital |
Xian Xiao | .. | software developer: Weta Digital |
Junying Xu | .. | texture artist: Weta Digital |
Kelvin Yee | .. | digital compositor: Weta Digital |
Viki Yeo | .. | texture artist: Weta Digital |
Dennis Yoo | .. | animator: Weta Digital |
Craig Young | .. | animator: Weta Digital |
John Young | .. | technical support lead: Weta Digital |
Joyce Young | .. | lighting techical director: Weta Digital |
Mark Young | .. | senior texture artist: Weta Digital |
Daniel Zamora | .. | previs artist |
Marzena Zareba | .. | camera technical director: Weta Digital |
Matthias Zeller | .. | lead creature technical director: Weta Digital |
Mohand Zennadi | .. | senior lighting technical director |
Daniel Zettl | .. | senior animator: Weta Digital |
Johan Åberg | .. | visual effects technical director: Weta Digital (as Johan Aberg) |
James Albiez | .. | visual effects artist (uncredited) |
Colin Cunningham | .. | lighting lead: SOHO VFX (uncredited) |
Kerstin Herold | .. | visual effects production runner: Weta Digital (uncredited) |
Megan Hutchison | .. | production runner: Weta Digital (uncredited) |
Steven Lo | .. | previsualization animator (uncredited) |
Thomas Mathai | .. | data manager (uncredited) |
Stunts
Lloyd Adams | .. | stunts |
Trevor Addie | .. | stunts: ape |
Charles Andre | .. | stunts |
Brett Armstrong | .. | stunts |
Jeffery Aro | .. | stunts: ape (as Jeffery Ong) |
Charlie Attrill | .. | stunts |
Nickolas Baric | .. | stunts |
Loyd Bateman | .. | stunts: ape |
Shawn Beaton | .. | stunts |
Chad Bellamy | .. | stunts |
Guy Bews | .. | stunts |
Dustin Brooks | .. | stunts |
Simon Burnett | .. | stunts: Buck the Gorrilla. |
Yves Cameron | .. | stunts |
Raymond Chan | .. | stunts: ape |
Douglas Chapman | .. | stunts (as Doug Chapman) |
Lauro David Chartrand-DelValle | .. | stunts (as Lauro Chartrand) |
Dean Choe | .. | stunts |
Brent Connolly | .. | stunts |
Janina Dall | .. | stunts (as Janina Nenadic) |
Crystal Dalman | .. | stunts |
Mike Desabrais | .. | stunts |
Duane Dickinson | .. | stunts |
Mike Dobbin | .. | stunts |
Caroline Field | .. | stunts (as Carolyn Field) |
Jim Finkbeiner | .. | stunts |
Bruce Fontaine | .. | stunts |
Corbin Fox | .. | stunts |
Gary Fry | .. | stunts |
Lani Gelera | .. | stunts |
Corry Glass | .. | stunts |
Christopher Gordon | .. | stunt double: David Hewlett |
Greg Hanson | .. | stunts |
Leif Havdale | .. | stunts |
Robert Hayley | .. | stunts (as Rob Hayley) |
Adrian Hein | .. | stunts |
Dave Hospes | .. | stunts |
Carol Jackson | .. | stunts |
Ernie Jackson | .. | stunts (as Ernest Jackson) |
Trevor Jones | .. | stunts: ape |
Alistair King | .. | stunts |
Jon Kralt | .. | stunts |
Scott Lang | .. | stunts: ape |
William Lawrence | .. | stunts (as Bill Lawrence) |
Dave Leader | .. | stunts (as David H. Leader) |
Randy Lee | .. | stunts |
Don Lew | .. | stunts |
Cotton Mather | .. | stunts |
Reg Milne | .. | stunts |
Mike Mitchell | .. | stunt coordinator |
Phillip Mitchell | .. | stunts |
Tony Morelli | .. | stunts |
Gaston Morrison | .. | stunts |
Jennifer Mylrea | .. | stunts |
Terry Notary | .. | stunt coordinator |
Efosa Otuomagie | .. | stunts |
Gerald Paetz | .. | stunts |
Tarah Paige | .. | stunts |
Jamie Payton | .. | stunts |
Rex Reddick | .. | stunts (as Rex J. Reddick) |
Raymond Sammel | .. | stunts |
Jeff Sanca | .. | stunts |
Chad Sayn | .. | stunts |
Darryl Scheelar | .. | stunts |
Greg Schlosser | .. | stunts |
Marc Scizak | .. | stunts |
Sharon Simms | .. | stunts |
Kimani Ray Smith | .. | stunts |
Heath Stevenson | .. | stunts |
John Stoneham Jr. | .. | stunts |
Sylvesta Stuart | .. | stunts |
Melissa R. Stubbs | .. | stunts |
Philip Tan | .. | stunts (as Phil Tan) |
Monte Thompson | .. | stunts |
Cody Thomson | .. | stunts |
Rorelee Tio | .. | stunts |
Angela Uyeda | .. | stunts |
Clay Virtue | .. | stunts |
Mike Vézina | .. | stunts (as Mike Vezina) |
Chris Webb | .. | stunts |
Dwayne Wiley | .. | stunts |
Brent Woolsey | .. | stunts |
Eli Zagoudakis | .. | stunts |
Mike Desabrais | .. | stunt double: John Lithgow (uncredited) |
Corbin Fox | .. | stunt rigging coordinator (uncredited) |
Charles Jarman | .. | stunts (uncredited) |
Jon Kralt | .. | stunt double: Tom Felton (uncredited) |
Terry Notary | .. | stunt double: Andy Serkis (uncredited) / stunt double: Richard Ridings (uncredited) |
Camera and Electrical Department
Joe Aleck | .. | crane technician (as Joey Aleck) |
Mark G. Alexander | .. | lamp operator |
Joseph J. Allen | .. | grip: San Francisco |
Matt Almas | .. | grip: second unit |
AJ Anderson | .. | lighting technician |
Paul Arnel | .. | grip |
Kevin Arone | .. | rigging lamp operator (as Kevin Arnone) |
Tim Bellen | .. | camera operator: San Francisco unit |
Brett Bird | .. | rigging lamp operator |
Larry Blanford | .. | aerial director of photography: San Francisco / director of photography: action unit, Golden Gate (as Lawrence Blanford) |
Jeff Bonny | .. | grip |
Jonathan Bosse | .. | rigging grip |
Julian Bosse | .. | best boy rigging grip (as Julien Bosse) |
David Cameron | .. | grip: second unit |
Scott Campbell | .. | rigging grip |
Rob Cantin | .. | lamp operator |
Andreas Carmona | .. | rigging grip |
Nelson Caseley | .. | rigging lamp operator |
Jonathan Chapman | .. | rigging lamp operator |
Dave Childers | .. | key grip: San Francisco (as David Childers) |
Jay Clennan | .. | dolly grip |
Sean Davis | .. | best boy electric |
Dean Des Jarais | .. | gaffer: Hawaii |
Gregory Doi | .. | electrician |
Kevin Doyle | .. | set wireman |
Jean-François Dubé | .. | rigging grip |
Sean Edmiston | .. | rigging lamp operator |
Jacob Egglestone | .. | rigging lamp operator |
Trevor Fast | .. | rigging lamp operator |
William L. Flanagan | .. | grip: second unit (as William Flanagan) |
Niall Fraser | .. | best boy: second unit |
Harry K. Garvin | .. | camera operator: Hawaii |
Alex Godfrey | .. | lead grip |
Spiro Grant | .. | second assistant camera: 'b' camera, second unitunit |
Paul Guenette | .. | first assistant camera: 'a' camera, second unit |
Tyler Guenther | .. | rigging grip |
Ian Guns | .. | super technocrane operator |
Stuart Haggerty | .. | gaffer: second unit |
Robin Hall | .. | lamp operator (as Robin Craig Hall) |
Derek Harding | .. | rigging lamp operator |
David Harris | .. | lamp operator: second unit |
Russell Hawkes | .. | dolly grip: second unit |
Dean Heselden | .. | camera operator: 'a' camera, second unit |
Kieran Humphries | .. | first assistant camera: 'a' camera, action unit / first assistant camera: 'a' camera, second unit |
Sierra Hurst | .. | rigging best girl |
Carl Jensen | .. | best boy grip |
Justin Johns | .. | video assistant |
Jordan Johnson | .. | lighting technician |
Craig Jones | .. | lamp operator: second unit |
Oren Jones | .. | rigging electrician |
Dave Joshi | .. | video coordinator |
Barry Kaiser | .. | video assistant: second unit |
Joshua Kjorven | .. | second assistant camera |
Steve Krasznai | .. | second assistant camera: 'a' camera, second unit |
Burton Kuchera | .. | gaffer: Golden Gate |
John Kuchera | .. | key grip: Golden Gate |
Richard LaBossiere | .. | best boy rigging grip |
Joseph Lederer | .. | still photographer |
Ian R.C. Levine | .. | second assistant camera: 'b' camera 2nd Unit |
Josh Lovig | .. | rigging grip (as Joshua Lovig) |
Stephen Maier | .. | camera operator: Golden Gate |
Christopher Mapes | .. | technocrane technician |
Matt Margolis | .. | company grip |
Alex Martinez | .. | second assistant camera |
Sarah Mather | .. | camera loader |
Alexandra Matheson | .. | camera loader: second unit (as Alexandra Kanal) |
Taylor Matheson | .. | first assistant camera: 'a' camera |
Steve Mathis | .. | gaffer |
Kevin McCloy | .. | key rigging grip |
Adam McDonald | .. | company grip |
Nicholas McKenzie | .. | first assistant camera: action unit |
David McKnight | .. | video playback: second unit |
Hugh Meikle | .. | generator operator |
Athan Merrick | .. | rigging lamp operator |
Randal W. Morton | .. | libra head technician (as Randy Morton) |
Colin Noel | .. | best boy rigging grip |
Robert L. O'Hara | .. | dolly grip (as Robert O'Hara) |
Simon Oliver | .. | grip |
Jonathan Osland | .. | rigging grip |
Peter Pacula | .. | lead rigging grip: re-shoots |
Phil Pastuhov | .. | aerial director of photography: San Francisco |
Larry Portmann | .. | focus puller: 'b' camera |
Dana Powers | .. | lamp operator: second unit (as Dana Wutzke) |
Dean Reca | .. | best boy grip: second unit |
Robert Redford | .. | generator operator: second unit |
Robert Riendeau | .. | board operator |
Ian Roscorla | .. | grip: second unit (as Ian Roscola) |
Danny Rosner | .. | key grip: Hawaii |
John Spencer-Phillips | .. | crane technician |
Gary Stamford | .. | dolly grip |
Bill Stefanidis | .. | company grip |
Jarrod Tiffin | .. | rigging gaffer |
Gladys Tong | .. | video playback coordinator |
Matt Tuffin | .. | Reference Camera Operator |
Todd Turner | .. | rigging best boy |
Mark Vargo | .. | director of photography: second unit |
Steve Vincent | .. | set wireman |
Jason Weir | .. | lamp operator: second unit (as Jason R. Weir) |
John Westerlaken | .. | key grip |
Tony Whiteside | .. | key grip: second unit |
Peter Wilke | .. | 'a' camera operator / steadicam operator |
James Williams | .. | libra head technician: second unit (as James J. Williams) |
David Zimmermann | .. | rigging grip |
Skylar Almas | .. | grip (uncredited) / rigging grip (uncredited) |
Scott Andrew Armstrong | .. | rigging grip (uncredited) |
Paul Arnel | .. | grip: action unit (uncredited) |
Dan Ax | .. | lighting technician (uncredited) |
Ian Beer | .. | second assistant camera: second unit (uncredited) |
Jacob Bond | .. | rigging electric lighting technician (uncredited) |
Chris Cove | .. | libra head technician: second unit (uncredited) |
Virgile Dean | .. | grip: action unit (uncredited) |
Geoffrey James Dixon | .. | rigging electrician (uncredited) |
David Dolsen | .. | still photographer: second unit (uncredited) |
Cameron Drinkle | .. | motion picture video coordinator (uncredited) |
Bill Earle | .. | rigging grip (uncredited) |
Henry Fordham | .. | key grip: Hawaii (uncredited) |
Jesse Frank | .. | Rigging Grip (uncredited) |
Rod Haney | .. | rigging grip (uncredited) |
Frank Helbig | .. | gaffer: San Francisco (uncredited) |
Andy Hodgson | .. | grip: action unit (uncredited) |
Richard A. Hunt | .. | grip: San Francisco (uncredited) |
Gilbert Jamault | .. | generator operator: action unit (uncredited) |
Ryan Ketchum | .. | lighting technician (uncredited) |
Sigtor Kildal | .. | still photographer (uncredited) |
Phil Klapwyk | .. | console programmer/operator (uncredited) |
Jan Klompje | .. | second assistant camera (uncredited) |
Mathew Knight | .. | mocap reference camera operator (uncredited) |
Todd Kristianson | .. | lighting technician (uncredited) |
Alex Kuchera | .. | grip: action unit (uncredited) |
Milton Loo | .. | lighting technician (uncredited) |
Daryl Makortoff | .. | rigging grip (uncredited) |
Tyler Jinx Moore | .. | grip: Action Unit (uncredited) |
Dan Morrison | .. | second assistant camera: action unit (uncredited) |
Joern Christian Novotny | .. | lighting technician (uncredited) |
Matty Reed | .. | rigging lamp operator (uncredited) |
Christian Schauz | .. | electrician (uncredited) |
Paul Schmidt | .. | key grip: additional photography, Los Angeles (uncredited) |
Rob Sperling | .. | rigging grip (uncredited) |
Jason Tidsbury | .. | light balloon technician (uncredited) |
Adam Uttley | .. | grip (uncredited) |
Jim van Dijk | .. | camera operator: additional photography (uncredited) |
Shamus Whiting-Hewlett | .. | electrician (uncredited) |
John Woods | .. | lighting technician: action unit, Golden Gate (uncredited) |
Alex Worster | .. | camera loader: San Francisco second unit (uncredited) |
Animation Department
Adam Chaput | .. | previs animator |
Tom Del Campo | .. | senior animator |
Mike Drew | .. | animator |
Brian Eyre | .. | animator |
Jerry Kung | .. | animator: Weta Digital |
Christian Liliedahl | .. | animator: Weta Digital |
Merlin Bela Wassiij Maertz | .. | animator |
Tom Meade | .. | animation technical director |
Adrian Millington | .. | senior animator |
Mike Mulock | .. | on-set previs animator |
Karl Rapley | .. | animator |
Mark Smith | .. | animator |
Caroline Ting | .. | animator |
Brian Ward | .. | animator |
Casting Department
Heike Brandstatter | .. | casting: Canada |
Andrea Brown | .. | extras casting |
Johnny Gidcomb | .. | adr voice casting |
Coreen Mayrs | .. | casting: Canada |
Amy Nygaard | .. | casting associate: Canada |
Pamela Pearl | .. | casting associate: U.S. |
Lisa Zambetti | .. | casting associate: U.S. |
Colleen Kenneavy | .. | extras casting: San Francisco (uncredited) |
Laura Obenaus | .. | casting assistant (uncredited) |
Costume and Wardrobe Department
Kristen Bond | .. | prep costumer |
Andre Brouwer | .. | truck costumer |
Anne Burke | .. | set costumer |
Leslie Cairns | .. | cutter sewer: contract |
Pamela Cameron | .. | set costumer |
Phuong Chau | .. | breakdown artist |
Courtney Daniel | .. | assistant costume designer |
Karen Durrant | .. | head breakdown artist |
Tamaryn Lang | .. | prep costumer |
Rosalie Lee | .. | background costume coordinator |
Julia Linn | .. | cutter (as Julia Lin) |
Jana MacDonald | .. | costume supervisor (as Jana Rayne MacDonald) |
Eilidh McAllister | .. | set costumer |
Monique McRae | .. | prep costumer |
Karen McVey | .. | seamstress |
Diane Nosella | .. | mocap costumer |
Susan O'Hara | .. | costume set supervisor |
Nicola Ryall | .. | prep costumer |
Lynette Schlichting | .. | seamstress |
Nino | .. | set costumer (uncredited) |
Heather Osborne | .. | truck costumer: additional photography (uncredited) |
Shelly Shaw | .. | action unit set supervisor (uncredited) / second unit set supervisor (uncredited) |
Editorial Department
Jennifer Lynne Anderson | .. | dailies project manager |
Steve Ansell | .. | first assistant editor |
Pamela Choules | .. | visual effects editor |
Jason Dale | .. | first assistant editor: Canada |
Rob Doolittle | .. | finishing artist: marketing |
Eileen Godoy | .. | digital intermediate project manager |
Élodie Ichter | .. | assistant colorist |
Mark Jones | .. | assistant editor |
Carole A. Kenneally | .. | first assistant editor (as Carole Ann Kenneally) |
Curtis Lindersmith | .. | digital intermediate editor |
Yvan Lucas | .. | digital intermediate colorist |
Tim Maxwell | .. | digital transfer |
Cody McDonald | .. | editorial production assistant: Canada |
Mitch Paulson | .. | colorist / digital colorist |
Tyler Ruocco | .. | first assistant editor: Canada |
Eric Stapf | .. | editorial production assistant |
James Telfer | .. | colorist: dailies |
JoAnne Yarrow | .. | second assistant editor |
George Chavez | .. | color timer (uncredited) |
Claire Duthie | .. | dailies digitizer: Deluxe Vancouver (uncredited) |
Gregory Earls | .. | post-production coordinator (uncredited) |
Matt Hull | .. | digital intermediate assistant producer: Efilm (uncredited) |
Alison Learned Wolf | .. | assistant editor (uncredited) |
Location Management
Renee Bella | .. | assistant location manager |
Fiona Crossley | .. | assistant location manager |
Catou Kearney | .. | location manager |
Sue Kittler | .. | location scout |
Peter Klassen | .. | location manager: second unit (as Peter J. Klassen) |
Art Rivers | .. | location manager: Hawaii |
Jonathan Shedd | .. | location manager: San Francisco |
Nick Bergstedt | .. | location scout (uncredited) |
Wes Hagan | .. | location manager: additional photography (uncredited) |
Ryan Mains | .. | trainee assistant location manager (uncredited) |
Peter Rodbell | .. | location rep: fake trailer segment (uncredited) |
Jay St. Louis | .. | assistant location manager: action unit (uncredited) / assistant location manager: second unit (uncredited) |
Music Department
Rick Baptist | .. | musician: trumpet |
Marissa Benedict | .. | musician: trumpet |
Christopher Benstead | .. | music editor: UK |
Samuel Karl Bohn | .. | assistant music programmer (as Sam Bohn) |
Joseph Bonn | .. | additional music editor |
Belinda Broughton | .. | concert master |
Vincent Cirilli | .. | digital score recordist |
Luis Conte | .. | musician: ethnic percussion |
Rupert Cross | .. | music programmer |
Greg Dennen | .. | scoring stage manager |
Patrick Doyle | .. | orchestrator |
Pedro Eustache | .. | musician: ethnic woodwind |
Michael Fisher | .. | musician: ethnic percussion (as Mike Fisher) |
Bruce Fowler | .. | additional orchestrator |
Kevin Globerman | .. | digital score recordist |
Chris Haigh | .. | trailer music |
Joel Iwataki | .. | music scoring mixer / score recordist |
Laura Jackman | .. | singer |
Robert Kraft | .. | executive in charge of music |
Tim Lauber | .. | score recordist |
Jon Lewis | .. | musician: trumpet |
Jon Mattox | .. | trailer music composer |
Alan Meyerson | .. | score recordist |
Rebecca Morellato | .. | music production executive |
Daniel Nielsen | .. | composer: additional music |
Jerome Pangelinan | .. | music assistant |
Barry Perkins | .. | musician: trumpet |
Marc Antonio Pritchett | .. | score vocalist |
Jasper Randall | .. | vocal contractor |
Emil Richards | .. | musician: percussion |
Maggie Rodford | .. | score coordinator |
James Shearman | .. | conductor / orchestrator |
Patrick Spain | .. | mix assistant |
Denis St. Amand | .. | music stage engineer |
Tom Steel | .. | scoring stage manager |
Roger Suen | .. | assistant music programmer |
Jeanette Surga | .. | music editor / music editor: temp music |
James Thatcher | .. | musician: french horn |
Joel Virgel | .. | musician: solo voice |
Bob Zimmitti | .. | musician: ethnic percussion |
Gina Zimmitti | .. | musicians contractor |
Gregory Clark | .. | musician: male ensemble singer (uncredited) |
Patrick Houlihan | .. | music executive (uncredited) |
Patrick Jonsson | .. | assistant to composer (uncredited) |
Alan Meyerson | .. | music recording engineer (uncredited) |
Danita Ng-Poss | .. | music preparation (uncredited) |
Jason Poss | .. | music preparation (uncredited) |
Transportation Department
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Maureen Caine | .. | transportation coordinator assistant |
Stephen Carr | .. | personal driver |
Ben Derrick | .. | transportation captain |
Nick Diomis | .. | transportation captain |
Richard Groder | .. | driver |
Andrew O'Bray | .. | cast trailers |
Jonathan Reed | .. | transportation gang boss: Hawaii (as John Reed) |
Anthony R. Sacco | .. | transportation captain: San Francisco (as Tony Sacco) |
Rob Vreugde | .. | transportation coordinator |
Robert Buxton | .. | transportation (uncredited) |
Terence Chase | .. | driver (uncredited) |
David Holm | .. | transportation captain: action unit (uncredited) |
Dave Miller | .. | driver: director (uncredited) |
Fred Stephens | .. | driver: camera car (uncredited) |
Mike Witherington | .. | transportation (uncredited) |
Other crew
Mike Aichholz | .. | assistant accountant |
Steve Alterman | .. | adr voice |
Jackie Andrade | .. | chef |
Stephen Apostolina | .. | adr voice (as Steve Apostolina) |
Jason Bachmann | .. | production assistant |
Kimberly Bailey | .. | adr voice |
Kirk Baily | .. | adr voice |
Ildiko Barritt | .. | craft service / first aid |
Patrice BelleRose | .. | helicopter pilot: Golden Gate |
Stephen Benabo | .. | assistant production coordinator |
Mariano Blanc | .. | software developer |
Jason Blattler | .. | facilities manager |
Daniel Booko | .. | adr voice |
Susan Boyajian | .. | adr voice |
Gregg Brilliant | .. | unit publicist (uncredited) |
Andrew P. Brown | .. | vfx accountant |
Richard Cansino | .. | adr voice |
Simon Carrigan | .. | assistant production coordinator |
John Catron | .. | production accountant (as John C.R. Catron) |
Samantha Chisari | .. | assistant: Mr. Hammel |
Andrea Chlebak | .. | projectionist |
Breanna Christie | .. | production assistant |
Sam Chung | .. | production it |
Jessica Clothier | .. | script supervisor |
Tina Dawson | .. | key first assistant accountant |
Andrzej Dec-Williams | .. | production assistant |
Andrea Devaux | .. | script supervisor: San Francisco |
Holly Dorff | .. | adr voice |
Dana Dubé | .. | animal coordinator |
Richard Epcar | .. | adr voice |
John Fletcher | .. | post-production accountant |
Patricia Foster | .. | production coordinator |
Rob Fournier | .. | armourer |
Cara Marie Furlan | .. | instructor: sign language |
Elisa Gabrielli | .. | adr voice |
Weyen George | .. | production assistant |
Jessica A. Gihon | .. | assistant accountant (as Jessica Gihon) |
Selena Ginger | .. | payroll accountant: second unit |
Elspeth Grafton | .. | script supervisor: visual effects elements unit |
Christopher J. Green | .. | construction accountant (as Christopher Green) |
Amanda Greenblatt | .. | assistant: Mr. Chernin |
Kasandra Greene | .. | assistant production coordinator (as Kasandra Greene-Griebel) |
Florian Halbedl | .. | production assistant |
Deanne Louise Hall | .. | craft service assistant (as Deanne Hall) |
Stephanie Hamilton | .. | production assistant |
Shannon Harron | .. | crew payroll |
Danielle Hartnett | .. | adr voice (as Danielli Hartnett Whittaker) |
Matt Holland | .. | lead compositor |
Brandon Hollyer | .. | first assistant accountant: US |
Brian Jansen | .. | medic: construction |
Kirk Jarrett | .. | horse wrangler |
Gordon Juli | .. | security |
Craig J. Lane | .. | assistant production coordinator (as Craig Jordan Lane) |
Valerie G. Langlais | .. | talent liaison |
Rob Larson | .. | on-set coordinator: extras |
Michele Lee | .. | assistant accountant (as Michele Lee Shellenberg) |
Luisa Leschin | .. | adr voice |
Susan Leslie | .. | adr voice |
Samuel Leung | .. | dailies film assistant: Deluxe Vancouver |
Laura Livingstone | .. | assistant production coordinator |
Sarah Long | .. | office production assistant |
Shaun Magee | .. | rigging: grip |
Henry Kariuki Mburu | .. | voice looping: multiple characters |
Randall Montgomery | .. | adr voice |
Bárbara Morelos-Zaragoza | .. | translation and subtitling: Latin American Spanish |
Rob Munro | .. | helicopter pilot: Golden Gate |
Rick Negron | .. | adr voice (as Rick Négron) |
Joseph Nicholls | .. | on-set coordinator: extras |
Jonathan Nichols | .. | adr voice |
Frédéric North | .. | aerial coordinator: Golden Gate (as Fred North) |
Resho Ollek | .. | head chef |
Dana Olson | .. | production assistant |
Jamie Payton | .. | horse wrangler |
Ric Perada | .. | production assistant |
Peggy Pere | .. | ground coordinator: Golden Gate (as Peggy North) |
Korey Petrie | .. | production assistant |
Mike Phillips | .. | helicopter pilot: San Francisco |
Juan Pope | .. | adr voice |
Kenneth Pratt | .. | production assistant |
Michael Prokop | .. | assistant chef |
Linda Rea | .. | research coordinator |
Michael J. Reid | .. | consultant: primate |
Deborah Ricketts | .. | stock footage clearance |
Zoe Robyn | .. | production assistant (as Zoe Robyn-Turner) |
Al Rodrigo | .. | adr voice |
Montague Rudolph | .. | production assistant (as Montaque Rudolph) |
Becca Sadowsky | .. | assistant: Mr.Clark |
Charles Saldana IV | .. | assistant post-production accountant (as Charles Saldana) |
Alan Shearman | .. | adr voice |
Jamie Skelton | .. | production assistant |
Anouar H. Smaine | .. | adr talent |
Linda Strathdee | .. | script supervisor: second unit |
Natalie Sutcliffe | .. | office production assistant |
Mike Thompson | .. | craft service / first aid |
Ryan Todd | .. | assistant: Rupert Wyatt (as Ryan Goldstein) |
Wayne Toews | .. | production assistant |
Iris Torres | .. | production assistant |
Steve Vincent | .. | set wireman |
Matt Vreugde | .. | production assistant |
Dave Walsh | .. | adr voice |
Dean Wein | .. | adr voice |
Christine Wilson | .. | script supervisor: Golden Gate |
Matthew Wolf | .. | adr voice |
Larry Woodhouse | .. | security captain |
Blair Woodruff | .. | chief of unit |
Steve Wright | .. | ground coordinator: Golden Gate (as Steven Wright) |
Xian Xiao | .. | software developer |
Craig Young | .. | motion capture performer |
Robert 'Bobby Z' Zajonc | .. | helicopter pilot: San Francisco |
Rachel Ziegler | .. | chef |
Diana Argos | .. | assistant production coordinator: San Francisco (uncredited) |
Kristian Bakstad | .. | stand-in (uncredited) |
John Balfour | .. | background coordinator (uncredited) |
Paul Basker | .. | production assistant (uncredited) |
Brad Beedle | .. | production medic (uncredited) |
Michael Bishop | .. | key production assistant (uncredited) |
Theodore Bocolas | .. | production assistant (uncredited) |
Josée Brodeur | .. | production accountant: additional photography (uncredited) |
Adrian Casas | .. | assistant production coordinator: additional photography (uncredited) |
Alan Chu | .. | IT tech: second unit (uncredited) |
Sheila Erdmann | .. | makeup fx office assistant (uncredited) |
D.R. Farquharson | .. | project manager: Deluxe Digital Cinema (uncredited) |
Susana Inés Fattorini | .. | location accountant (uncredited) |
Kelsey Fonda | .. | production assistant (uncredited) |
Jonathan Fox | .. | key production assistant: second unit (uncredited) |
Lukasz Gosek | .. | production assistant (uncredited) |
Amy Greene | .. | production coordinator (uncredited) |
Zane Grewer | .. | first aid assistant: second unit (uncredited) |
Michael Aaron Keith | .. | production assistant (uncredited) |
Brynn Kinnee | .. | background coordinator (uncredited) |
Valerie G. Langlais | .. | production secretary (uncredited) |
Justin Lauzon | .. | production assistant (uncredited) |
Willan Leung | .. | key production assistant: action unit (uncredited) |
Kelli Lundy | .. | office production assistant: San Francisco (uncredited) |
Nicole Mak | .. | dailies film assistant: Deluxe Vancouver (uncredited) |
Henry Kariuki Mburu | .. | voice looping (uncredited) |
David Midgen | .. | titles producer (uncredited) |
Cara Miller | .. | production assistant (uncredited) |
Terry Notary | .. | movement choreographer (uncredited) |
Erin Ochi | .. | production assistant: San Francisco (uncredited) |
Benjamin A. Onyango | .. | voice looping: multiple characters (uncredited) |
Laura Pena | .. | production secretary: reshoot (uncredited) |
Charlotte Schaeffer | .. | additional set production assistant (uncredited) |
Serena Shen | .. | office production assistant: Los Angeles (uncredited) |
Ryan Steacy | .. | armorer (uncredited) |
L. La Mar Stewart | .. | production assistant: San Francisco (uncredited) |
Laura May Taylor | .. | production assistant: action unit (uncredited) |
Gladys Tong | .. | computer and video playback supervisor (uncredited) |
Sasha Veneziano | .. | production coordinator: additional photography (uncredited) |
Alex Voong | .. | office production assistant (uncredited) |
Thanks
Brandon Alexander | .. | grateful acknowledgment |